{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/0k2697081q/manifest","type":"Manifest","label":{"en":["The Cream Rises to the Top! - Treasures from 30 Years in the Vintage Record Business"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Kurt Nauck (Presenter)","Mark Atnip (Presenter)","Sara Velez (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2016-05-13 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eNauck's Vintage Records was founded in 1984 and has since grown to become the world's largest firm trading in vintage 78rpm records and cylinders. Over the course of the past three decades, founder Kurt Nauck has assembled an amazing collection (a.k.a., the Nauckive) comprised of the bizarre, the beautiful and the fantastically rare. Join Kurt for Show \u0026amp; Tell as he presents some of the most interesting sound recordings you will ever hope to see - or hear!\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis"]}}],"summary":{"en":["\u003cp\u003eNauck's Vintage Records was founded in 1984 and has since grown to become the world's largest firm trading in vintage 78rpm records and cylinders. Over the course of the past three decades, founder Kurt Nauck has assembled an amazing collection (a.k.a., the Nauckive) comprised of the bizarre, the beautiful and the fantastically rare. Join Kurt for Show \u0026amp; Tell as he presents some of the most interesting sound recordings you will ever hope to see - or hear!\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/489/small/open-uri20200922-6764-1n34w89_1600815457.jpg?1600801067","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-1n34w89.mp4"]},"duration":2249.32267,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/489/small/open-uri20200922-6764-1n34w89_1600815457.jpg?1600801067","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/489/original/open-uri20200922-6764-1n34w89.mp4?1600801053","type":"Video","format":"video/mp4","duration":2249.32267,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489","metadata":[]}]}],"annotations":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032","type":"AnnotationPage","label":{"en":["AUTO_TRINT_The Cream Rises to the Top! - Treasures from 30 Years in the Vintage Record Business [Transcript]"]},"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Our next speaker is Kurt Talk. He's the proprietor of Knox Vintage Records, which deals exclusively in vintage 78 palms and cylinder recordings, as well as turntables, audio equipment, disco file, record sleeves, books and discography. He's assisted today by Mark at NIPP, who works with him. And actually he gave me a little bio. He spend Mark's 10 seasons broadcasting professional hockey and baseball for ESPN Radio. He owns the largest known collection of baseball records, baseball related 78 r.p.m. and cylinder recordings, and is currently working on a baseball recording's discography. He's now in his third year at Knox Vintage Records. Thank you. I think figuring trying to figure out which of these it is. Let's give this one a shot. He has been both a blessing and the light. I've been able to pursue this hobby as a full time career for the past three decades. Like most dealers, I share the collecting addiction. And today, I wish to show some of the more amazing records found among the millions I've sorted through over the course of my career. Some of these may be familiar to you, others, most assuredly not a couple or fabulously rare and others relatively common. But it's neither rarity nor value that necessarily makes a treasure. Each of these records is special to me in its own way. Like most collectors. I appreciate both the content as well as the artifact itself. And the items I have selected show to you may be interesting for any number of reasons. Come with Mark and me as we enjoy this veritable parade of wonders. One of the things that makes this business so personally interesting is the fact that I regularly encounter things I've never seen or heard before. For instance, a number of years ago, I was sorting through a collection near Monterrey Beach and ran across the following record.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=12.38,215.27"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Golden was an early acoustic West Coast label. And this record was made around 1923. Not a bad fine, but what you were hearing is Mr. Warren MacGinnis playing an orange leaf. Mr. Guinness, must you've had a long, distinguished and versatile career as I ran across an announcement in the July 24th, 1948 issue of the San Bernardino County Sun that Mr. McGinnis and the rest of the avocado leaf trio would be playing an engagement that evening. On February 5th, 1933, Pope Leo, the 13th, made two recordings for Ziani Bettini at the Vatican. Just six months before Leo's demise at the age of 93, the recordings were issued and both cylinder and disc formats. This particular example is a single face disc, which includes the original presentation booklet describing each of the two recordings and tie it together with red silk ribbons. If your policy is can that stuff after that fact? No. I don't know this stuff off. If you are after the fact that this was done, they just can't come up reinvaded so far that they. That was the first papal recording Pope Leo was born on March the 2nd, 1810, which makes him one of the earliest born persons to have recorded. So in a sense, his voice connects us to an era over two centuries past. Those of you who are regular listeners to the bitter requestion will know that we love to play records with extraneous unintended noises. What you are hearing is one of the most famous examples of that ilk, a victor recording from June 10th, 1918, featuring soprano Amelita Garlick, quirky, accompanied by a studio orchestra and the Campbell's Soup factory whistle. Mark, we'll replay that particular passage in case you didn't hear it the first time. Memorial record produced by Santa Claus woke up, he had enlisted for his rival wearing red and purple ma.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=250.0,593.87"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"On the boat is weird. Well. Oh, I have a personal affinity for private and vanity recordings, and the one we're playing for you now is certainly one of the strangest. I've encountered this October 1930 recording features Victor Baritone Raynald, where theater critic Alexander Woolcott and Harpo Marx wishing a very merry Christmas in their own peculiar way, way to Needsome Mean, a prominent illustrator and a painter. Allcott, Marx and McCoy mean we're all members of the infamous Algonquin Hotel Round Table in New York City, a group of prominent actors, writers, musicians and critics known for the over-the-top gags they frequently pulled on one another. Not lethal at all. They get much nowadays. Well, how well managed. Mary, Mary, Mary, Mary. One of the rarest commercially issued cylinders to appear in the Edison catalog was President Porfirio Díaz, his letter to Thomas Edison recorded in August of 1989, Edison had written to De is asking him to make a recording or two. And this was the result of getting it out. Thought. Thank you. Better now. Anything up on that? I got them to pick. I mean, not again. What did your mother. Everything all right? It's the model you bring up. You never fiddle without the auto. They're holding your thumb in football or whatever. In the end, they looked at young people of different people who might benefit from the visa. It made him the letter. The two things together on suddenly. And then I'm going to probably need to clean up the property. And look, you know, when I looked a little became the logo. Then something that I've been doing well lately, selling. I to quite open them up. I'll get my therapy. But the other thing. And what I've done will flow from a little bit.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=608.67,857.66"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But I've been dying that year in my life. You're cooped up out of school for a number of people. I've got a young couple. They located the mother didn't. Go, go, go, go, go, go. I think he thought I was going to get one. You're not the one to officially give them a wall yet, so I don't. I will run between the clothes they bailout money that, you know, they won't go up to be able to grow. But then you've got so we get up by hitting it on Monday with 50 tons on the mud. For better or for worse. From a few. Good. Who are movable. No more. Weren't really three different models or PDV. This cylinder had been a highlight in the NORK IV for many years, but imagine my surprise when a second example turned up, this time as a two minute blue Ambarella pressing. Compare this recording with the issued cylinder you just heard. You don't get to pick it up yet, but if you then it will be coming down. I've got another thing, map. Does your food depict was of innovative then in your mouth? Everything. All right. Novel, you will not be able to. You'll be your son. Football. Like, what did you get to be locked up? But because of that. Because my fear. Who is a couple of years ago said that he did it again. But I'm not quite ready for primetime. It is interesting to note that these recordings were made on the very same machine used to record President Taft the year before. Everybody knows about that. Oh, no, no, no. Work on these old Coleman's board where he. Ow, ow, ow, ow, ow, ow, ow. Bombs. We can do it. Hundred and forty nine.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=858.48,1019.45"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Don't you see that as a country? We are so low that fantasy people that were all over the land in Japan. Everybody knows about it. Ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow. What do you do? Not collection consists of many different types of recordings by many different artists in many different genres. For instance, I tend to like records which are topical in nature, particularly if they have to do with nuclear energy, flying saucers or taxes. There were many great atomic records and Jesus hits like The Atom Bomb is surely one of the best. And you are listening to it performed in both the finest white and black gospel traditions. The Sunshine Boys Quartet kicked us off in the five trumpets will take us back. Go. I do not the. Listening to those songs, AP and there is a lot of difference in the lyrics and the way it's handled. And it is the same song, different credits, as you say. I'm not sure what the story is about that, but really great records and many other groups record that as well. This next recording is not part of my atomic collection, though. It sort of could be. Sometime back in the 90s, I purchased the collection of RCA Victor and our man Brad McKewon, recorded June 11th, 1948. This vinyl test was one McKewon had ordered up from the archives to audition for inclusion in his RCA vintage LP series Man as president of the Atomic Sauerkraut Company. I'm gonna tell you that day that the answer to the whole problem of the production is I got dead. End with a little bit more about one little word. And we sometimes forget the role that one little word in ever.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=1020.08,1195.02"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, I have been working out a plan out of the atomic archive company Baff, which is a critical period when it works out. Nothing good at all. Simple as ABC child can understand it, another month is about Wade and griefers all about them while we have the plant to do one simple little operation, and that is to try to remember to save their lives. But they are good from time to time. But I feel that is the red, green and yellow flipped on our form. We like to be not that big of a red, green and yellow and wrong of. But do that is providing a. Of course the employee had been working steadily and continuously with the bar with a good record for a minimum of thirty eight years time one more time and slip them directly in line to what we call our God doing an investigating committee. We had some Jim Dandy fellows. I'm not getting investigators to really grab by to check on that. Certainly did. Several members of a very civic minded organization probably never called the Jersey City Committee for the abolishment of Jersey City. They were party counties anyway. Well, that was just a question of the employees. Been really waiting there. That is Baldy's. That will go Rudy. That was very difficult in a while because of month. Something of that kind of guy anyway. The employee that reads see you a news application blank. We don't wonder. You remember. It may seem like the table I mentioned in passing the embryo. You have to remember his name notably gravelly on both sides of the boy. I'll make it up because last year we had him at the nearby squeezing department who neglected to do that, thus forfeiting the whole reward.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=1199.81,1324.49"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Goodbye. Nice job. I was just about to qualify for good conduct in two others over here. Well, let's fly by the ball or the next. Well, rub it out or just glaze it out. The employee merely as a medic. Do the usual. You danger wobbles as if the employee positively died. And the small bond. Thirty five or forty thousand dollars or a real estate. He was entitled to a choice of premiums or reward. The doctor or intended that he'd be enjoying his work. After a while they were entitled to employ an all expense, keeping a bulk at the previous thought club located at downtown Sheikh, New Jersey, all previously a beautiful large light like a photograph of President McKinley suitable for a hanging. Well, there you go, boy. All right, everybody, back toward your. As far as I can tell, the original recording was unissued, but it ultimately appeared in 1972 on McEwen's LP, The Golden Age of Comedy. The Great War officially ended on Armistice Day, November 11th, 1918. The following year, one of the most amazing records ever made was issued to celebrate our victory esthetically. It was light years ahead of its time. Imagine, if you will, a 10 inch vertically recorded acoustic march. Pretty unremarkable, except for the fact that it looks like this. A Olian vocalic two two zero zero four is pressed in the colors of the flags of our allies, thereby complimenting a medley of their national anthems. The counterpart to this recording is the even more stunning eolian Vocalic and 12000 done up in the colors of Old Glory and featuring American patriotic songs due to time limitations. We will not be able to play part of that record. But for sheer bizarre, it I don't think anything can hold a match to the RCA Victor talking ashtray.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=1325.73,1510.95"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As president, the RCA Victor Company Ltd. Canada, I am using its novel Ashtray, a product of our organization, in fact, to extend our compliments of the season to you on behalf of the organization, I express our appreciation great and to for which it helped us to make real progress this year. Baby New Year. Bring your share and the present economic recovery and the full measure of happiness. All these. Honestly, this has to be the most useless product ever conceived by corporate Canada. Every time I tried to play the record, the tone arm kept knocking my cigaret across the room. All I wound up with was a severe case of Cuban. Oh, I have no date for this recording. But the opening music was taken directly from America. American Victors 33 R.P.M. Long-playing Demo Join the Victor Artists Party, which we recorded on July 30th, 1931. Richard thinks that this was probably made sometime well after that point. Sometimes you have to ask yourself why on earth was this recorded? Or perhaps more appropriately, how did they ever get away with releasing it? Such is the case with S.R. Rest ten thousand nineteen forty eight recording issued by the collectors. Records show it is taken straight from an unscripted Toscanini rehearsal, though Toscanini, whose name appears nowhere on the record. Not. We have the A we'll the. But it's up to me because I think it was over a hundred people. Ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow. Side two is more of the same, only with the added attraction that one of the musicians breaks down into a sobbing mess. Let us know, clams our musical palate with a delightful selection from Victors Depression era catalog.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=1521.57,1750.74"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Today. Me and. One of the things that fascinates me most are recordings that feature technical advances of particular interest are those records which are musically wonderful as well. So it is with this recording by Lawrence Tibbett singing Cuban Love Song. This Victor Red SEAL was recorded during an era of great experimentation in the recording industry. Picture discs, long-playing records lagger coded 80s. The electrical rerecordings of Caruso's acoustic sides and even the stereo process were all being developed around this time. This particular selection is a very early example of a multi-track recording. It progresses normally towards the very last stanza. At which point Tibbett comes in as a tenor, thereby closing as a baritone tenor duet. The principal recording was taken on December 10th, 1931 one on December 12th. Tippett whacks the tenor part. Though this recording wasn't taken directly from the movie, it is an original cast recording its Tibbett appeared in the 1931 MGM picture, the Cuban love song opposite Lupi Vélez. Ladies and gentlemen, I would like to thank you for your rapid attention this morning, if you like what you've heard. I would invite you to tune into our Bittar request shows the ten hour audible feasts brought to you every auction, courtesy of Norks, Vintage Records and Radio Dismukes. Mark and I serve up the fascinating, the rare, the wonderful, occasionally the hideous, all taken straight out of our ongoing auctions. And if it pleases you, perhaps we can present part two in the series at next year's conference in San Antonio. We would like to close this morning's presentation with the final float in Norks parade of musical favorites. I leave you with Larry Foster and a selection from November 11th, 1953 tried to see how many singing styles you can identify.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=1789.61,2025.43"},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"How do you see my. Deal. Is. If you don't like my style, I guess. Maybe. Oh, see those singing stars, you always listen to song. That's. No longer with you. That is. I speak with mom. Should you pray 10 times now? Yes, the prayer. Someone that my lawsuit. Use my arms and laugh and sing my songs real about you. These. If that's the way I it, then my. They told me that this is common back. Why don't would get. Let me be. La, la, la, la. And that may cause I might as well get why I'm not a. You've been listening to KNBR Radio Dismukes.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489#t=2039.84,2230.6"}]},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/97489/transcript/19032/annotation/11","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/019/032/original/open-uri20200924-1408-786qu7?1600953813","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/019/032/original/open-uri20200924-1408-786qu7?1600953813"}]}]},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/255735","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2016_Atnip_Nauck_audio.mp3"]},"duration":2302.57125,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/255735/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/255735/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/735/original/ARSC_conf_2016_Atnip_Nauck_audio.mp3?1730748804","type":"Audio","format":"audio/mpeg","duration":2302.57125,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29680/file/255735","metadata":[]}]}],"annotations":[]}]}