{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/0p0wp9tm8h/manifest","type":"Manifest","label":{"en":["Hollywood Two-Step: How Bob Wills and His Friends Made Westerns Swing"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Matthew Barton (Presenter)","Cary Ginell (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2015-05-30 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eSinging cowboys didn t make all of the music in theBwesterns of the 1930s and 1940s. Top Western music artists such as Bob Wills and his Texas Playboys, Spade Cooley, the Light Crust Doughboys, Ray Whitley, Patsy Montana, Carolina Cotton, Tex Williams,Texas Jim Lewis, Andy Parker and the Plainsmen, the Texas Rangers, and many others were regularly featured as added attractions in such films and turned in many classic performances, achieving a level of exposure that the country music establishment of Nashville could only dream of. In this way, without even trying to, Hollywood documented the development andgolden ageof Western swing for future generations to enjoy, and preserved many songs and band lineups that went unrecorded during the two recording bans called by American Federation of Musicians chief James C. Petrillo in the 1940s. This presentation will feature rare film clips of all of the artists named above and more. Many of these performances have only been recently recovered, as it was common practice to cut them from the television prints of these films. Now they can be used to trace the story of Western swing music, from its birth in the Southwest as jazzed-up string band music in the 1930s through its electrified heyday of the 1940s.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eSinging cowboys didn t make all of the music in theBwesterns of the 1930s and 1940s. Top Western music artists such as Bob Wills and his Texas Playboys, Spade Cooley, the Light Crust Doughboys, Ray Whitley, Patsy Montana, Carolina Cotton, Tex Williams,Texas Jim Lewis, Andy Parker and the Plainsmen, the Texas Rangers, and many others were regularly featured as added attractions in such films and turned in many classic performances, achieving a level of exposure that the country music establishment of Nashville could only dream of. In this way, without even trying to, Hollywood documented the development andgolden ageof Western swing for future generations to enjoy, and preserved many songs and band lineups that went unrecorded during the two recording bans called by American Federation of Musicians chief James C. Petrillo in the 1940s. This presentation will feature rare film clips of all of the artists named above and more. Many of these performances have only been recently recovered, as it was common practice to cut them from the television prints of these films. Now they can be used to trace the story of Western swing music, from its birth in the Southwest as jazzed-up string band music in the 1930s through its electrified heyday of the 1940s.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/668/small/ARSC_conf_2015_Barton_video_thmb.jpg?1675378219","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/121668","type":"Canvas","label":{"en":["Media File 1 of 3 - open-uri20210821-32762-uyv0h7.mp4"]},"duration":3293.22667,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/668/small/ARSC_conf_2015_Barton_video_thmb.jpg?1675378219","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/121668/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/121668/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/121/668/original/open-uri20210821-32762-uyv0h7.mp4?1629577717","type":"Video","format":"video/mp4","duration":3293.22667,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/121668","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/255597","type":"Canvas","label":{"en":["Media File 2 of 3 - ARSC_conf_2015_Barton_audio.mp3"]},"duration":2215.10244,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/255597/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/255597/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/597/original/ARSC_conf_2015_Barton_audio.mp3?1730735941","type":"Audio","format":"audio/mpeg","duration":2215.10244,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/255597","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/255596","type":"Canvas","label":{"en":["Media File 3 of 3 - ARSC_conf_2015_Barton_QA_audio.mp3"]},"duration":1057.66197,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/255596/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/255596/content/3/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/596/original/ARSC_conf_2015_Barton_QA_audio.mp3?1730735883","type":"Audio","format":"audio/mpeg","duration":1057.66197,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48642/file/255596","metadata":[]}]}],"annotations":[]}]}