{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/2804x5613h/manifest","type":"Manifest","label":{"en":["Using Multi-Track Sources for Musicological and Music Production Research"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Toby Seay (Presenter)","Mike Casey (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2010-05-21 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["With Drexel University acquiring the Sigma Sound Studios Collection in June 2005, an opportunity arose to establish this resource as a basis for research into archival techniques, modern music production techniques, and database management as it relates to multi-track audio files. Sigma Sound Studios was the paramount recording studio in Philadelphia from 1968 to 2003 and was instrumental in the creation of what became know as \"Philly Soul\". This presentation will outline the creation of the Drexel University Audio Archive through institutional commitment, infrastructure development and community support. The Sigma Sound Studios Collection consists of 6119 magnetic tape-based recordings in twelve different recording formats. These differing formats represent the evolution of modern music production as the collection starts in the late 1960's with 4-track analog and progresses to 8-track, 16-track, 24-track analog, 32-track and 48-track digital. With this evolution, it is possible to see how advances in technology changed the creative process of musicians, engineers and producers as they performed and adapted their art. Researchers of musicology and popular music will find the Sigma Sound Studios Collection a valuable resource for the study of music and culture of the late 20th century and specifically how these recordings represent the musical culture of Philadelphia. With changes in the music industry and recording media, the Drexel University Audio Archive serves as an institutional model for the preservation of analog multi-track media."]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}}],"summary":{"en":["With Drexel University acquiring the Sigma Sound Studios Collection in June 2005, an opportunity arose to establish this resource as a basis for research into archival techniques, modern music production techniques, and database management as it relates to multi-track audio files. Sigma Sound Studios was the paramount recording studio in Philadelphia from 1968 to 2003 and was instrumental in the creation of what became know as \"Philly Soul\". This presentation will outline the creation of the Drexel University Audio Archive through institutional commitment, infrastructure development and community support. The Sigma Sound Studios Collection consists of 6119 magnetic tape-based recordings in twelve different recording formats. These differing formats represent the evolution of modern music production as the collection starts in the late 1960's with 4-track analog and progresses to 8-track, 16-track, 24-track analog, 32-track and 48-track digital. With this evolution, it is possible to see how advances in technology changed the creative process of musicians, engineers and producers as they performed and adapted their art. Researchers of musicology and popular music will find the Sigma Sound Studios Collection a valuable resource for the study of music and culture of the late 20th century and specifically how these recordings represent the musical culture of Philadelphia. With changes in the music industry and recording media, the Drexel University Audio Archive serves as an institutional model for the preservation of analog multi-track media."]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128103/file/239786","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2010_Seay2_audio.mp3"]},"duration":2597.59819,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128103/file/239786/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128103/file/239786/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/239/786/original/ARSC_conf_2010_Seay2_audio.mp3?1714147914","type":"Audio","format":"audio/mpeg","duration":2597.59819,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128103/file/239786","metadata":[]}]}],"annotations":[]}]}