{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/2n4zg6gn3v/manifest","type":"Manifest","label":{"en":["Jazz Me Blues: Chicago's South Side Jazz Bands, the City Style, and the Thin Blue(s) Line"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Roberta Freund Schwartz (Presenter)","Steve Ramm (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2015-05-28 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eIn Depression-era Chicago, both jazz bands and blues artists explored thethin blue linethat separated the two genres. The locally-based bands that performed in the clubs, cabarets, and dance halls of Bronzeville and the South Side needed to appeal to local audiences and record buyers; thus, they often freely mixed collective improvisation, homophonic arrangements (or passable facsimiles) of popular blues records and dances, musical tropes of vaudeville, minstrel and medicine shows, and local trends in ways that often skirt the line between jazz and blues. These bands and some of their members frequently accompanied blues singers and served as sidemen for blues sessions in the late 1920s and early 1930s. Particularly significant are jazz musicians like Punch Miller, Bill Johnson, Herb Morand, and Alex Hill, who transitioned between the two styles regularly. Likewise, more than a few blues musicians, such as Lonnie Johnson, Little Brother Montgomery, Frankie \"Half-Pint\" Jaxon, and Joe and Charlie McCoy played with local jazz outfits, headed or recorded with ensembles that fused elements of the two styles, and emulated or absorbed characteristics of contemporary jazz.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eIn Depression-era Chicago, both jazz bands and blues artists explored thethin blue linethat separated the two genres. The locally-based bands that performed in the clubs, cabarets, and dance halls of Bronzeville and the South Side needed to appeal to local audiences and record buyers; thus, they often freely mixed collective improvisation, homophonic arrangements (or passable facsimiles) of popular blues records and dances, musical tropes of vaudeville, minstrel and medicine shows, and local trends in ways that often skirt the line between jazz and blues. These bands and some of their members frequently accompanied blues singers and served as sidemen for blues sessions in the late 1920s and early 1930s. Particularly significant are jazz musicians like Punch Miller, Bill Johnson, Herb Morand, and Alex Hill, who transitioned between the two styles regularly. Likewise, more than a few blues musicians, such as Lonnie Johnson, Little Brother Montgomery, Frankie \"Half-Pint\" Jaxon, and Joe and Charlie McCoy played with local jazz outfits, headed or recorded with ensembles that fused elements of the two styles, and emulated or absorbed characteristics of contemporary jazz.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/720/small/ARSC_conf_2015_Schwartz_video_thmb.jpg?1675379673","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48694/file/121720","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20210821-32762-1sssy2y.mp4"]},"duration":1396.30933,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/720/small/ARSC_conf_2015_Schwartz_video_thmb.jpg?1675379673","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48694/file/121720/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48694/file/121720/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/121/720/original/open-uri20210821-32762-1sssy2y.mp4?1629579190","type":"Video","format":"video/mp4","duration":1396.30933,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48694/file/121720","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48694/file/255723","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2015_Schwartz_audio.mp3"]},"duration":1393.04494,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48694/file/255723/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48694/file/255723/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/723/original/ARSC_conf_2015_Schwartz_audio.mp3?1730747184","type":"Audio","format":"audio/mpeg","duration":1393.04494,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48694/file/255723","metadata":[]}]}],"annotations":[]}]}