{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/2r3nv9bq8c/manifest","type":"Manifest","label":{"en":["Original Television Audio Air Checks of Lost Television Broadcasts: 1946-1972"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Phil Gries (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2009-05-28 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eFifty years ago I founded Archival Television Audio, Inc. (ATA) as a resource for television companies, authors, researchers, radio stations, and individual collectors. I began recording audio from telecasts at a time when archiving television was an arcane pursuit. Today, 15,000 hours of TV audio air checks in my collection represent over 12,000 different broadcasts. I have also obtained from different sources the few remaining TV audio air check collections to survive – thousands of which are one-of-a-kind broadcast records representing every genre of television broadcasting. ATA has donated audio to major museums including the Paley Center for Media, the Library of Congress, UCLA Film and Television Archive, and the Museum of Broadcasting, as well as to individuals such as Don Pardo reading the first AP wire about the shooting in Dallas of President John F. Kennedy. No other air checks of these historic broadcasts are known. I have received 21 letters from Woody Allen (mostly hand written) in response to 41 audio air checks I have given him, representing lost TV appearances made before he directed his first film. Other appreciative correspondence has been received from Milton Berle, Mike Wallace, Walter Cronkite, Joey Bishop, Jonathan Winters, and Rachel Robinson. My presentation includes many unique television audio air check samples dating back to 1946, a description of the genesis of the archive, and the significance of its contents from its formation to the present time.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eFifty years ago I founded Archival Television Audio, Inc. (ATA) as a resource for television companies, authors, researchers, radio stations, and individual collectors. I began recording audio from telecasts at a time when archiving television was an arcane pursuit. Today, 15,000 hours of TV audio air checks in my collection represent over 12,000 different broadcasts. I have also obtained from different sources the few remaining TV audio air check collections to survive \u0026ndash; thousands of which are one-of-a-kind broadcast records representing every genre of television broadcasting. ATA has donated audio to major museums including the Paley Center for Media, the Library of Congress, UCLA Film and Television Archive, and the Museum of Broadcasting, as well as to individuals such as Don Pardo reading the first AP wire about the shooting in Dallas of President John F. Kennedy. No other air checks of these historic broadcasts are known. I have received 21 letters from Woody Allen (mostly hand written) in response to 41 audio air checks I have given him, representing lost TV appearances made before he directed his first film. Other appreciative correspondence has been received from Milton Berle, Mike Wallace, Walter Cronkite, Joey Bishop, Jonathan Winters, and Rachel Robinson. My presentation includes many unique television audio air check samples dating back to 1946, a description of the genesis of the archive, and the significance of its contents from its formation to the present time.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128446/file/240044","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2009_Gries_audio.mp3"]},"duration":2776.40631,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128446/file/240044/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128446/file/240044/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/240/044/original/ARSC_conf_2009_Gries_audio.mp3?1714691340","type":"Audio","format":"audio/mpeg","duration":2776.40631,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128446/file/240044","metadata":[]}]}],"annotations":[]}]}