{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/3j3901zz50/manifest","type":"Manifest","label":{"en":["Digitizing Hidden Audio-Visual Collections: Impacting Community by Restoring Music Accessibility in Detroit"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Jahra Michelle McKinney (Presenter)","Yuri Shimoda (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2021-05-15 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eDetroit Sound Conservancy is a community-based archive that tells Detroit's story through the experiences of its musical people. Our collections have been gathered, collected, and shared by Detroiters who have been actively involved in the documentation of our collective histories for decades. These Detroiters are represented by our majority Black Board of Directors which is made up of griots -- community storytellers -- responsible for documenting musical experiences that have till now been largely hidden and repressed. These griots, along with our community of advisers, archival partners, and neighborhood stakeholders, have grounded our archival work in, and with, community since our inception. Three specific marginalized communities we represent and serve are Detroit's Black jazz community, its largely forgotten Black rhythm \u0026amp; blues community, and its Black LGBT dance community. The Black jazz community is represented by our work with the community-based Graystone Jazz Museum which dissolved due to lack of resources and support fifteen years ago and that we salvaged in 2015. The Black rhythm \u0026amp; blues legacy is represented by our efforts to salvage the legacy of United Sound Systems. Finally, the Black LGBT dance community is represented by our efforts to tell the largely repressed history of the DJs, performers, club owners, and dancer-fans without which Detroit techno as a genre would have never emerged as a globally important popular music.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eDetroit Sound Conservancy is a community-based archive that tells Detroit's story through the experiences of its musical people. Our collections have been gathered, collected, and shared by Detroiters who have been actively involved in the documentation of our collective histories for decades. These Detroiters are represented by our majority Black Board of Directors which is made up of griots -- community storytellers -- responsible for documenting musical experiences that have till now been largely hidden and repressed. These griots, along with our community of advisers, archival partners, and neighborhood stakeholders, have grounded our archival work in, and with, community since our inception. Three specific marginalized communities we represent and serve are Detroit's Black jazz community, its largely forgotten Black rhythm \u0026amp; blues community, and its Black LGBT dance community. The Black jazz community is represented by our work with the community-based Graystone Jazz Museum which dissolved due to lack of resources and support fifteen years ago and that we salvaged in 2015. The Black rhythm \u0026amp; blues legacy is represented by our efforts to salvage the legacy of United Sound Systems. Finally, the Black LGBT dance community is represented by our efforts to tell the largely repressed history of the DJs, performers, club owners, and dancer-fans without which Detroit techno as a genre would have never emerged as a globally important popular music.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/119/281/small/ARSC_conf_2021_McKinney_video_thmb.jpg?1675452454","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46218/file/119281","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2021_McKinney_video.mp4"]},"duration":1868.18133,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/119/281/small/ARSC_conf_2021_McKinney_video_thmb.jpg?1675452454","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46218/file/119281/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46218/file/119281/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/119/281/original/ARSC_conf_2021_McKinney_video.mp4?1626107552","type":"Video","format":"video/mp4","duration":1868.18133,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46218/file/119281","metadata":[]}]}],"annotations":[]}]}