{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/4b2x34n057/manifest","type":"Manifest","label":{"en":["20 Years (More or Less) of the Virtual Gramophone"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Richard Green (Presenter)","Sara Velez (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2016-05-13 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eThe Virtual Gramophone was one of the first multi-media web sites devoted to 78-rpm discs. Originally a project of the National Library of Canada, the Virtual Gramophone sought to document the history of the music industry in Canada and provide access to recordings in the Library's collection. This presentation will look at the original goals of the project and how they evolved over the years. This will include a discussion of the web interface, web site content, cataloguing and description of the discs, collection management practices, copyright concerns, audio digitization and on-line access, the somewhat sordid details of the politics and administration of the project, and the current state of the Virtual Gramophone.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis"]}}],"summary":{"en":["\u003cp\u003eThe Virtual Gramophone was one of the first multi-media web sites devoted to 78-rpm discs. Originally a project of the National Library of Canada, the Virtual Gramophone sought to document the history of the music industry in Canada and provide access to recordings in the Library's collection. This presentation will look at the original goals of the project and how they evolved over the years. 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