{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/513tt4h158/manifest","type":"Manifest","label":{"en":["Naropa University Archive Project: Preserving, Reformatting, and Cataloging 20th Century American Literary Culture"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Tim Hawkins (Presenter)","Kristen Andersen (Presenter)","Joe Conway (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2005-04-01 (Created)"]}},{"label":{"en":["Description"]},"value":{"en":["The staff of the Naropa University Archive Project will present a broad overview of their efforts to preserve, reformat and make accessible 2000 hours of analog audiotape from the Jack Kerouac School of Disembodied Poetics. This project is funded with generous support from the NEA, NEH, Save America's Treasures, the GRAMMY Foundation, and private donors. The Jack Kerouac School of Disembodied Poetics was founded in 1974 by poets Allen Ginsberg and Anne Waldman, key figures in the pose-World War II literary world. For over 30 years, leading figures of the post-war U.S. literary avant-garde have conducted readings, classes, workshops, and lectures at the Kerouac School. These have all been recorded, forming the core of the University's audio archive. An April 2001 New York Times editorial cited the Naropa collection as one of the three most important audio archives of twentieth-century American literary culture. The panel will touch briefly on all aspects of the project, including funding, technical aspects of reformatting, collecting metadata and creating catalog records, and providing wider access to the collection. A significant portion of the presentation will be committed to playing audio clips from a wide range of prose, poetry and music samples."]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}}],"summary":{"en":["The staff of the Naropa University Archive Project will present a broad overview of their efforts to preserve, reformat and make accessible 2000 hours of analog audiotape from the Jack Kerouac School of Disembodied Poetics. This project is funded with generous support from the NEA, NEH, Save America's Treasures, the GRAMMY Foundation, and private donors. The Jack Kerouac School of Disembodied Poetics was founded in 1974 by poets Allen Ginsberg and Anne Waldman, key figures in the pose-World War II literary world. For over 30 years, leading figures of the post-war U.S. literary avant-garde have conducted readings, classes, workshops, and lectures at the Kerouac School. These have all been recorded, forming the core of the University's audio archive. An April 2001 New York Times editorial cited the Naropa collection as one of the three most important audio archives of twentieth-century American literary culture. The panel will touch briefly on all aspects of the project, including funding, technical aspects of reformatting, collecting metadata and creating catalog records, and providing wider access to the collection. A significant portion of the presentation will be committed to playing audio clips from a wide range of prose, poetry and music samples."]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2675/collection_resources/125696/file/233194","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2005_Hawkins_Andersen_Conway_audio.mp3"]},"duration":3360.88816,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2675/collection_resources/125696/file/233194/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2675/collection_resources/125696/file/233194/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/233/194/original/ARSC_conf_2005_Hawkins_Andersen_Conway_audio.mp3?1709758206","type":"Audio","format":"audio/mpeg","duration":3360.88816,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2675/collection_resources/125696/file/233194","metadata":[]}]}],"annotations":[]}]}