{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/5q4rj4b550/manifest","type":"Manifest","label":{"en":["Phantoms of the Opera: The New Orleans Opera Archive Recordings, 1950-1971"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["George L. Dansker (Presenter)","Roberta Freund Schwartz (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2010-05-22 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["Mr. Dansker is the Production Coordinator for the New Orleans Opera Archive compact disc series and has been involved with this project since 1994. The recordings in the archive span the time period from 1950-1971. The commercially issued recordings span 1954-1968. To-date more than 17 compact disc recordings have been commercially issued. In some cases these are the only existing recording of a particular artist in a role he or she made famous, and in some they are the last performances of a particular artist in a signature role. There were many historic reasons for issuing these recordings and these factors were taken into consideration for each release (e.g. the only complete recording of Dorothy Kirsten in \"Madama Butterfly\" --- and in stereo sound). Stereophonic reel-to-reel tape recording equipment was utilized as early as 1958. It is also Mr. Dansker's opinion that reel-to-reel tape recording equipment was utilized as early as 1950, a factor which possibly makes this recorded archive unique. The presentation details the complete story of the archive project, interesting obstacles encountered along the way, and the many successes achieved. Sound excerpts from both unpublished and published recordings are utilized to illustrate the Power Point presentation."]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}}],"summary":{"en":["Mr. Dansker is the Production Coordinator for the New Orleans Opera Archive compact disc series and has been involved with this project since 1994. The recordings in the archive span the time period from 1950-1971. The commercially issued recordings span 1954-1968. To-date more than 17 compact disc recordings have been commercially issued. In some cases these are the only existing recording of a particular artist in a role he or she made famous, and in some they are the last performances of a particular artist in a signature role. There were many historic reasons for issuing these recordings and these factors were taken into consideration for each release (e.g. the only complete recording of Dorothy Kirsten in \"Madama Butterfly\" --- and in stereo sound). Stereophonic reel-to-reel tape recording equipment was utilized as early as 1958. It is also Mr. Dansker's opinion that reel-to-reel tape recording equipment was utilized as early as 1950, a factor which possibly makes this recorded archive unique. The presentation details the complete story of the archive project, interesting obstacles encountered along the way, and the many successes achieved. Sound excerpts from both unpublished and published recordings are utilized to illustrate the Power Point presentation."]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128013/file/239734","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2010_Dansker_audio.mp3"]},"duration":3149.64388,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128013/file/239734/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128013/file/239734/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/239/734/original/ARSC_conf_2010_Dansker_audio.mp3?1714076762","type":"Audio","format":"audio/mpeg","duration":3149.64388,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128013/file/239734","metadata":[]}]}],"annotations":[]}]}