{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/696zw1b391/manifest","type":"Manifest","label":{"en":["Red, White, and Whose Blues? Questions of Authenticity, Appropriation and Identity"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Roberta Freund Schwartz (Presenter)","Bryan Cornell (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2004-03-14 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["The popularity of the blues with white audiences has generated concerns that the music has lost its force as a serious expression of African American culture. Many fear that the blues has been adopted as a \"feel-good\" gesture of racial inclusion and the “authenticity” of the form has been compromised. These concerns are not new. In both the late 1940s and early 1960s, British critics and fans discussed the implications of commercialization and appropriation of the blues. Over time the standards of what constitutes \"authentic\" blues have shifted, but the central argument remains: under what conditions should the music survive?"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}}],"summary":{"en":["The popularity of the blues with white audiences has generated concerns that the music has lost its force as a serious expression of African American culture. Many fear that the blues has been adopted as a \"feel-good\" gesture of racial inclusion and the “authenticity” of the form has been compromised. These concerns are not new. In both the late 1940s and early 1960s, British critics and fans discussed the implications of commercialization and appropriation of the blues. Over time the standards of what constitutes \"authentic\" blues have shifted, but the central argument remains: under what conditions should the music survive?"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2726/collection_resources/125564/file/231916","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2004_Schwartz_audio.mp3"]},"duration":2100.61061,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2726/collection_resources/125564/file/231916/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2726/collection_resources/125564/file/231916/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/231/916/original/ARSC_conf_2004_Schwartz_audio.mp3?1709497035","type":"Audio","format":"audio/mpeg","duration":2100.61061,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2726/collection_resources/125564/file/231916","metadata":[]}]}],"annotations":[]}]}