{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/6w9668b52v/manifest","type":"Manifest","label":{"en":["Sound Intent: Recorded Sound Collections and the Historical Record"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Lisa Hooper (Presenter)","Mike Devecka (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2010-05-21 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["Collecting sound recordings for many of us is a matter of passion: passion for intellectual content, passion for a given physical medium, and passion for a specific form of technology. We collect sound recordings to satisfy our own passions and share the contents of our collections with researchers, friends, and others equally passionate about this work. In fulfilling our passion, however, we have to opportunity to make a much bigger contribution to society, culture, and history, one of incredible significance that each collector must take into account. Namely, by collecting and preserving sound, we in essence create what will become an integral part of the historical record which future researchers, historians, cultural anthropologists, musicologists, ethnomusicologists, will turn to in the process of writing our history. This is no insignificant detail, for our very preferences of genre and performers, even the physical medium of the recording, have explicit inclusions and exclusions. Prone to our unavoidable personal preferences, cultural, social, and political biases, sound collectors, as do archivists and historians, open the potential for culturally significant yet underrepresented cross-sections of musical society to be effectively forgotten to history. Drawing from the work of anthropologists, ethnomusicologists, philosophers, archivists, and historians, this paper examines how archiving and collecting practices influence history-writing and the related cultural implications. The paper will continue with the philosophy of the self-described “activist archivist,” relating their methodology to that of the sound collector."]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}}],"summary":{"en":["Collecting sound recordings for many of us is a matter of passion: passion for intellectual content, passion for a given physical medium, and passion for a specific form of technology. We collect sound recordings to satisfy our own passions and share the contents of our collections with researchers, friends, and others equally passionate about this work. In fulfilling our passion, however, we have to opportunity to make a much bigger contribution to society, culture, and history, one of incredible significance that each collector must take into account. Namely, by collecting and preserving sound, we in essence create what will become an integral part of the historical record which future researchers, historians, cultural anthropologists, musicologists, ethnomusicologists, will turn to in the process of writing our history. This is no insignificant detail, for our very preferences of genre and performers, even the physical medium of the recording, have explicit inclusions and exclusions. Prone to our unavoidable personal preferences, cultural, social, and political biases, sound collectors, as do archivists and historians, open the potential for culturally significant yet underrepresented cross-sections of musical society to be effectively forgotten to history. Drawing from the work of anthropologists, ethnomusicologists, philosophers, archivists, and historians, this paper examines how archiving and collecting practices influence history-writing and the related cultural implications. The paper will continue with the philosophy of the self-described “activist archivist,” relating their methodology to that of the sound collector."]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128037/file/239764","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2010_Hooper_audio.mp3"]},"duration":2019.11656,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128037/file/239764/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128037/file/239764/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/239/764/original/ARSC_conf_2010_Hooper_audio.mp3?1714144107","type":"Audio","format":"audio/mpeg","duration":2019.11656,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2670/collection_resources/128037/file/239764","metadata":[]}]}],"annotations":[]}]}