{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/7659c6sj24/manifest","type":"Manifest","label":{"en":["Korea on Record: Korea's First Encounter with Sound Recordings, 1889-1906"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Jihoon Suk (Presenter)","Terri Brinegar (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2021-05-15 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eBeginning in the last decade of the 19th century, the newly-invented technology of sound recordings was introduced to all parts of the world, including much of East Asia. In this sense, the introduction of the technology to Korea, which began as early as 1890, gives an opportunity for a fascinating historical observation on how the Western talking machine/record companies had approached the non-Western public to establish their market presence, which paralleled the socio-economic effects and outcomes of the coming of the \"West\" to the \"East\" at the turn of the 20th century. Using several primary source materials uncovered both in the U.S. and in Korea by myself, I would like to present some of my major findings about the early history of Korean sound recordings, including Thomas Edison's \"grand scheme\" to introduce phonograph in Korea (and other East Asian countries) beginning in 1889, as well as some of the unique findings about Korea's first commercial recordings recorded in 1906. For the latter, I will also present some of the crucial findings about the circumstances on these recordings, which includes 96 sides recorded by G\u0026amp;T engineer Will Gaisberg (that was eventually issued by Victor in 1907), and 30 sides of Korean music recorded in Osaka, Japan by Columbia engineers Charles Carson and Harry Marker.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eBeginning in the last decade of the 19th century, the newly-invented technology of sound recordings was introduced to all parts of the world, including much of East Asia. In this sense, the introduction of the technology to Korea, which began as early as 1890, gives an opportunity for a fascinating historical observation on how the Western talking machine/record companies had approached the non-Western public to establish their market presence, which paralleled the socio-economic effects and outcomes of the coming of the \"West\" to the \"East\" at the turn of the 20th century. Using several primary source materials uncovered both in the U.S. and in Korea by myself, I would like to present some of my major findings about the early history of Korean sound recordings, including Thomas Edison's \"grand scheme\" to introduce phonograph in Korea (and other East Asian countries) beginning in 1889, as well as some of the unique findings about Korea's first commercial recordings recorded in 1906. For the latter, I will also present some of the crucial findings about the circumstances on these recordings, which includes 96 sides recorded by G\u0026amp;T engineer Will Gaisberg (that was eventually issued by Victor in 1907), and 30 sides of Korean music recorded in Osaka, Japan by Columbia engineers Charles Carson and Harry Marker.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/119/239/small/ARSC_conf_2021_Suk_video_thmb.jpg?1675452993","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46233/file/119239","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2021_Suk_video.mp4"]},"duration":1857.30133,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/119/239/small/ARSC_conf_2021_Suk_video_thmb.jpg?1675452993","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46233/file/119239/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46233/file/119239/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/119/239/original/ARSC_conf_2021_Suk_video.mp4?1625850040","type":"Video","format":"video/mp4","duration":1857.30133,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46233/file/119239","metadata":[]}]}],"annotations":[]}]}