{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/7940r9mq8j/manifest","type":"Manifest","label":{"en":["Indexing and Researching the Charles K. Wolfe Audio Collection"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Karen Hogg (Presenter)","Wendy Sistrunk (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2015-05-29 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eDuring the summer of 2014, I had the good fortune to intern at The Center for Popular Music, an archive located on the campus of Middle Tennessee State University (MTSU). This internship was part of my graduate coursework in Folk Studies at Western Kentucky University. For my main assignment, I worked on indexing, or summarizing, interviews from the Charles K. Wolfe Audio Collection. The Charles K. Wolfe Audio Collection contains over 3,000 recordings including interviewsthat Wolfe conducted with many pioneers of American vernacular music, Wolfe's field recordings, and commercial recordings that he collected. Once the tapes were inventoried, archivist John Fabke went through the high-priority recordings, mainly interviews, to determine content. Fabke chose several dozen recordings for me to index, including interviews with Melvin Robinette, Rich-R-Tone records founder Jim Stanton, Patsy Montana, and Dick Burnett. The subject matter of these interviews included musical influences, business practices, repertoire, and stories from the road, among other things. I listened to each interview and chose relevant facts and keywords for a search engine that will be created for the Wolfe database. If an interviewee mentioned a particular song, musician, or business fact, I included it in the index. These interviews are a treasure trove of information for any researcher interested in American vernacular music. During my presentation, I will go into the subject matter of these interviews in more detail, examine their importance to music scholars, and talk about the future of the project.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eDuring the summer of 2014, I had the good fortune to intern at The Center for Popular Music, an archive located on the campus of Middle Tennessee State University (MTSU). This internship was part of my graduate coursework in Folk Studies at Western Kentucky University. For my main assignment, I worked on indexing, or summarizing, interviews from the Charles K. Wolfe Audio Collection. The Charles K. Wolfe Audio Collection contains over 3,000 recordings including interviewsthat Wolfe conducted with many pioneers of American vernacular music, Wolfe's field recordings, and commercial recordings that he collected. Once the tapes were inventoried, archivist John Fabke went through the high-priority recordings, mainly interviews, to determine content. Fabke chose several dozen recordings for me to index, including interviews with Melvin Robinette, Rich-R-Tone records founder Jim Stanton, Patsy Montana, and Dick Burnett. The subject matter of these interviews included musical influences, business practices, repertoire, and stories from the road, among other things. I listened to each interview and chose relevant facts and keywords for a search engine that will be created for the Wolfe database. If an interviewee mentioned a particular song, musician, or business fact, I included it in the index. These interviews are a treasure trove of information for any researcher interested in American vernacular music. During my presentation, I will go into the subject matter of these interviews in more detail, examine their importance to music scholars, and talk about the future of the project.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/697/small/ARSC_conf_2015_Hogg_video_thmb.jpg?1675379053","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48671/file/121697","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20210821-32762-x3vnnj.mp4"]},"duration":1286.16533,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/697/small/ARSC_conf_2015_Hogg_video_thmb.jpg?1675379053","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48671/file/121697/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48671/file/121697/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/121/697/original/open-uri20210821-32762-x3vnnj.mp4?1629578528","type":"Video","format":"video/mp4","duration":1286.16533,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48671/file/121697","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48671/file/255691","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2015_Hogg_audio.mp3"]},"duration":1251.46025,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48671/file/255691/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48671/file/255691/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/691/original/ARSC_conf_2015_Hogg_audio.mp3?1730739012","type":"Audio","format":"audio/mpeg","duration":1251.46025,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48671/file/255691","metadata":[]}]}],"annotations":[]}]}