{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/833mw2b29x/manifest","type":"Manifest","label":{"en":["Bridge-building and Pew-burning: Collaborative Partnerships with Private Collectors in Baylor University’s Black Gospel Archive"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Stephen Bolech (Presenter)","Darryl Stuhr (Presenter)","Hannah Engstrom (Presenter)","Kyle Felkins (Presenter)","Robert Marovich, Jr. (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2024-05-18 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eBaylor University’s Black Gospel Music Preservation Program was founded in 2007 with the goal to identify, collect, preserve, and make accessible Black gospel music, with an emphasis on the Golden Age of Gospel, 1940-1975. Since the beginning of the project, working with private collectors has been a cornerstone of the initiative. During this panel presentation we will highlight some of those relationships and explore in detail our collaboration with gospel music scholar Robert Marovich. As we near the completion of digitizing his collection of gospel music discs, we will look back on the different phases of that effort. Portions of the panel will include an overview of the project and its current status; discuss the importance of outside collectors and donors to the project over its 17 years, especially that of Mr. Marovich; discuss the logistics of transporting his materials; and expanding digitization capacity to complete the digitization of the discs. A significant amount of time will be dedicated to playing selections of music from Mr. Marovich’s collection, with a focus on gospel music from the Twin Cities and Upper Midwest.\u003c/p\u003e"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}}],"summary":{"en":["\u003cp\u003eBaylor University\u0026rsquo;s Black Gospel Music Preservation Program was founded in 2007 with the goal to identify, collect, preserve, and make accessible Black gospel music, with an emphasis on the Golden Age of Gospel, 1940-1975. Since the beginning of the project, working with private collectors has been a cornerstone of the initiative. During this panel presentation we will highlight some of those relationships and explore in detail our collaboration with gospel music scholar Robert Marovich. As we near the completion of digitizing his collection of gospel music discs, we will look back on the different phases of that effort. Portions of the panel will include an overview of the project and its current status; discuss the importance of outside collectors and donors to the project over its 17 years, especially that of Mr. Marovich; discuss the logistics of transporting his materials; and expanding digitization capacity to complete the digitization of the discs. A significant amount of time will be dedicated to playing selections of music from Mr. Marovich\u0026rsquo;s collection, with a focus on gospel music from the Twin Cities and Upper Midwest.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2875/collection_resources/136523/file/253120","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2024_Bolech_Stuhr_audio.mp3"]},"duration":4801.032,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2875/collection_resources/136523/file/253120/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2875/collection_resources/136523/file/253120/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/253/120/original/ARSC_conf_2024_Bolech_Stuhr_audio.mp3?1727386776","type":"Audio","format":"audio/mpeg","duration":4801.032,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2875/collection_resources/136523/file/253120","metadata":[]}]}],"annotations":[]}]}