{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/8911n7z350/manifest","type":"Manifest","label":{"en":["Stompin' Through the EMI Music Canada Archives"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Robb Gilbert (Presenter)","Jason Nisenson (Presenter)","Roberta Freund Schwartz (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2017-05-13 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eArchives and Special Collections at the University of Calgary is the lucky recipient of the massive and complete EMI Music Canada Archives dating from the 1950s to 2012. The entire fonds is estimated at 5,500 bankers boxes containing audio and video recordings from studio sessions to final mixes for distribution, album cover artwork, music awards, artist photographs, and administrative records from its executive and core departments. EMI Music Canada and its incorporated label Capitol Records had a significant impact on Canadian popular music culture in the second half of the 20th century developing acts in a range of genres including Rush, Tom Cochrane, Stompin’ Tom Connors, Anne Murray, Paul Anka, Glass Tiger, Kim Mitchell, Helix, the Rankin Family, Susan Aglukark, the Tea Party, and Nickelback.Canadian-made contemporary popular music has come of age and has its own story to tell vis-a-vis Canadian content protection, artist marketing and its role in shaping Canadian national identity. How can we do this collection justice? What are the challenges and opportunities for us? In this presentation, we will outline our work at the U of C since the first boxes started arriving in spring of 2014. Our presentation will provide a demonstration of the EMI Music Canada fonds breadth and complexity through reference to the many items related to iconic Canadian artist Stompin’ Tom Connors.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Amanda McCabe"]}}],"summary":{"en":["\u003cp\u003eArchives and Special Collections at the University of Calgary is the lucky recipient of the massive and complete EMI Music Canada Archives dating from the 1950s to 2012. The entire fonds is estimated at 5,500 bankers boxes containing audio and video recordings from studio sessions to final mixes for distribution, album cover artwork, music awards, artist photographs, and administrative records from its executive and core departments. EMI Music Canada and its incorporated label Capitol Records had a significant impact on Canadian popular music culture in the second half of the 20th century developing acts in a range of genres including Rush, Tom Cochrane, Stompin\u0026rsquo; Tom Connors, Anne Murray, Paul Anka, Glass Tiger, Kim Mitchell, Helix, the Rankin Family, Susan Aglukark, the Tea Party, and Nickelback.Canadian-made contemporary popular music has come of age and has its own story to tell vis-a-vis Canadian content protection, artist marketing and its role in shaping Canadian national identity. How can we do this collection justice? What are the challenges and opportunities for us? In this presentation, we will outline our work at the U of C since the first boxes started arriving in spring of 2014. Our presentation will provide a demonstration of the EMI Music Canada fonds breadth and complexity through reference to the many items related to iconic Canadian artist Stompin\u0026rsquo; Tom Connors.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/610/small/open-uri20200922-6764-19b6p9j_1600817396.jpg?1600803026","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29737/file/97610","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-19b6p9j.mp4"]},"duration":1502.72,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/610/small/open-uri20200922-6764-19b6p9j_1600817396.jpg?1600803026","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29737/file/97610/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29737/file/97610/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/610/original/open-uri20200922-6764-19b6p9j.mp4?1600802991","type":"Video","format":"video/mp4","duration":1502.72,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29737/file/97610","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29737/file/255847","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2017_Gilbert_Nisenson_audio.mp3"]},"duration":1474.96306,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29737/file/255847/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29737/file/255847/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/847/original/ARSC_conf_2017_Gilbert_Nisenson_audio.mp3?1730762701","type":"Audio","format":"audio/mpeg","duration":1474.96306,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29737/file/255847","metadata":[]}]}],"annotations":[]}]}