{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/9p2w37nc49/manifest","type":"Manifest","label":{"en":["Stereotypes of Women in American Popular Music (1850s-1900s)"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Annie Hagert (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2008-03-27 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eThis presentation explores the various roles of women portrayed in song. Early excerpts of recordings (some of them never re-released), with sheet music covers as a visual aid, will be presented based on a survey of early recording labels such as Edison, Victor and Columbia. An incomplete list of such stereotypes would include the Sainted Mother, The Soiled Dove, The Waif, The Gold Digger, The Red Hot Mama and The Vengeful Wronged Woman. The use of such models of women allowed writers and performers to express romantic or tender feelings towards pathos and familial obligations. Conversely, audiences could address horror and delight at the openly sexual woman who 'didn't care'. In some of these recordings, the use of ethnic or migrant minorities was used to either celebrate attributes forbidden to the acceptable majority woman or to romanticize and lampoon social inferiors. Popular music reflected changes in the population at the time of late 19th century America was evolving in diverse ways. The advent of the railroad, urbanization, populations shifts and migration all led to changes in how women were perceived in the family as well as on the stage. Recordings and visuals will be from Vernacular Music Archive.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eThis presentation explores the various roles of women portrayed in song. Early excerpts of recordings (some of them never re-released), with sheet music covers as a visual aid, will be presented based on a survey of early recording labels such as Edison, Victor and Columbia. An incomplete list of such stereotypes would include the Sainted Mother, The Soiled Dove, The Waif, The Gold Digger, The Red Hot Mama and The Vengeful Wronged Woman. The use of such models of women allowed writers and performers to express romantic or tender feelings towards pathos and familial obligations. Conversely, audiences could address horror and delight at the openly sexual woman who 'didn't care'. In some of these recordings, the use of ethnic or migrant minorities was used to either celebrate attributes forbidden to the acceptable majority woman or to romanticize and lampoon social inferiors. Popular music reflected changes in the population at the time of late 19th century America was evolving in diverse ways. The advent of the railroad, urbanization, populations shifts and migration all led to changes in how women were perceived in the family as well as on the stage. Recordings and visuals will be from Vernacular Music Archive.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128628/file/240132","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20240504-2220384-ufs9nk.mpga"]},"duration":2039.91006,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128628/file/240132/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128628/file/240132/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/240/132/original/open-uri20240504-2220384-ufs9nk.mpga?1714790438","type":"Audio","format":"audio/mpeg","duration":2039.91006,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128628/file/240132","metadata":[]}]}],"annotations":[]}]}