{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/bg2h708n8f/manifest","type":"Manifest","label":{"en":["The Day the Music Didn't Die: Preserving Music at MIT Libraries"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Tricia Patterson (Presenter)","Wendy Sistrunk (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2015-05-29 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003ePreserving and making accessible audio and video music recordings is currently a focus of the MIT Libraries Curation and Preservation, Institute Archives and Special Collections and Lewis Music Library. The Lewis Music Library supports the MIT music curriculum, which ranges from medieval chant to hip hop, while also serving the research and recreational needs of the MIT community. The MIT Libraries own approximately 2,000 uncataloged analog sound recordings that document MIT music history. Many of these recordings consist of reel-to-reel and audiocassette tapes. In July 2013, a digital audio initiatives project was established at MIT in order to save these music recordings, beginning with materials from the Herb Pomeroy collection, which comprises thirteen boxes of recordings from the influential jazz trumpeter and music educator. A digital audio team was assembled with the goal to inventory, digitize, preserve, and facilitate access to these materials. In September 2014, an IMLS grant-funded National Digital Stewardship Residency (NDSR) resident joined this team to focus primarily on digital audio preservation and to develop a detailed life cycle workflow for the preservation of all digital audio content that could be the foundation for a digital content management program. This team also evaluated suitable options for an access platform, including the Avalon Media System. While progress continues, there will be additional challenges concerning future aspects of the project. This talk will examine the work from inception to its current phase, while providing advice and recommendations to other music libraries and archives with similar sound recording backlogs.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003ePreserving and making accessible audio and video music recordings is currently a focus of the MIT Libraries Curation and Preservation, Institute Archives and Special Collections and Lewis Music Library. The Lewis Music Library supports the MIT music curriculum, which ranges from medieval chant to hip hop, while also serving the research and recreational needs of the MIT community. The MIT Libraries own approximately 2,000 uncataloged analog sound recordings that document MIT music history. Many of these recordings consist of reel-to-reel and audiocassette tapes. In July 2013, a digital audio initiatives project was established at MIT in order to save these music recordings, beginning with materials from the Herb Pomeroy collection, which comprises thirteen boxes of recordings from the influential jazz trumpeter and music educator. A digital audio team was assembled with the goal to inventory, digitize, preserve, and facilitate access to these materials. In September 2014, an IMLS grant-funded National Digital Stewardship Residency (NDSR) resident joined this team to focus primarily on digital audio preservation and to develop a detailed life cycle workflow for the preservation of all digital audio content that could be the foundation for a digital content management program. This team also evaluated suitable options for an access platform, including the Avalon Media System. While progress continues, there will be additional challenges concerning future aspects of the project. This talk will examine the work from inception to its current phase, while providing advice and recommendations to other music libraries and archives with similar sound recording backlogs.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/712/small/ARSC_conf_2015_Patterson_video_thmb.jpg?1675379439","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48686/file/121712","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20210821-32762-1w8w6cg.mp4"]},"duration":1284.20267,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/712/small/ARSC_conf_2015_Patterson_video_thmb.jpg?1675379439","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48686/file/121712/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48686/file/121712/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/121/712/original/open-uri20210821-32762-1w8w6cg.mp4?1629578966","type":"Video","format":"video/mp4","duration":1284.20267,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48686/file/121712","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48686/file/255707","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2015_Patterson_audio.mp3"]},"duration":1237.23916,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48686/file/255707/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48686/file/255707/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/707/original/ARSC_conf_2015_Patterson_audio.mp3?1730740113","type":"Audio","format":"audio/mpeg","duration":1237.23916,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48686/file/255707","metadata":[]}]}],"annotations":[]}]}