{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/br8mc8rv73/manifest","type":"Manifest","label":{"en":["Going Rogue: The Cost of Initiative and Crossing the Line for the Greater Good"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Daniel Blazek (Presenter)","Derek Long (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2017-05-12 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eAs Florida Atlantic University downsized its collection of Judaic recordings in 2016, the Library of Congress recently collected their offerings. Over 150 10-inch and over 1500 12-inch Jewish records were physically retrieved and stored by the author for inclusion in LC. The author took on this project without official approval and spent many hours in a labor of love. The talk details a few gems of the collection and ponders the how and why of when initiatives cost or contribute to the goals of the institution.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Amanda McCabe"]}}],"summary":{"en":["\u003cp\u003eAs Florida Atlantic University downsized its collection of Judaic recordings in 2016, the Library of Congress recently collected their offerings. Over 150 10-inch and over 1500 12-inch Jewish records were physically retrieved and stored by the author for inclusion in LC. The author took on this project without official approval and spent many hours in a labor of love. The talk details a few gems of the collection and ponders the how and why of when initiatives cost or contribute to the goals of the institution.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/507/small/open-uri20200922-6764-qm5au1_1600815893.jpg?1600801526","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-qm5au1.mp4"]},"duration":1948.94933,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/507/small/open-uri20200922-6764-qm5au1_1600815893.jpg?1600801526","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/507/original/open-uri20200922-6764-qm5au1.mp4?1600801487","type":"Video","format":"video/mp4","duration":1948.94933,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507","metadata":[]}]}],"annotations":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082","type":"AnnotationPage","label":{"en":["AUTO_TRINT_Going Rogue: The Cost of Initiative and Crossing the Line for the Greater Good [Transcript]"]},"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So good afternoon, everybody. Think we're gonna go ahead and get started? This is religion on record. I'm going go ahead and introduce our first presenter. Daniel Blazey is the recorded sound technician at the Library of Congress and was the former head of government and information and special formats at the Otto Rector Library at University of Miami, Florida. Daniel's research interests include standup comedy, historical precedent, historical preservation and professional burnout. And the title of his presentation is Going Rogue The Cost of Initiative and Crossing the Line for the Greater Good. So please welcome Daniel. Thank you. Hopefully this will go OK. Let's make sure that this is. I lost the mouse. Where is the mouse on your fingers? Yeah, I know it's not, but it's on the other side. Screen. Magic, thank you. OK. All right, I'm just gonna go ahead and kick out the jams here. Want to play? This gets in the mood. Most have signed up Chiari appeared in period, period, period. But yes, cheering, cheering, cheering. Bob. Herman Cain wanted to get out of bed, cheering, cheering, cheering, he very bomb. A. This is why I never like to switch computers, because it just never works in somebody else's computer. Did you diminish the sound? Harry. Let's back this all up. Okay. Well. All right. Start over. John Bart was a prominent Jewish American lyric, tenor, humorous and raconteur who bridged the gap between the rich music of European jewelry and American musical tastes. And you just heard a little smidgen of what he sounds like. He wrote the lyrics. The Yiddish lyrics. And Yiddish is a combination of German and Hebrew, which grew up in Poland and Ukraine area. He, having been born in Poland, are really originally. OK, nothing's working.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=12.38,229.09"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That's good. All right. OK. All right. Well, that's what I took the label looks like. And that's what they bought. The back looks like it was supposed to play through this, but it didn't. So what I'm going to do is just say a little bit about me. I was a former head of government information and special formats at the Auto Richter Library in University Miami. I did that for 10 years. And this is why I was aware of the FSU libraries. Florida Atlantic University, which is just up the road in Boca Raton. And they were collecting for decades Jewish materials. And they had quite a Web presence, actually. But part of the reason why this actually worked is I knew that area to some degree. And I in fact, I still have a condo in Miami, which, due to a bad tenant, was empty and served me well in this project. Let's see. So what are we talking about? We're talking about Jewish labels. We're talking about Jewish culture preserved on sound recordings and particularly LP LAPD. There were cassettes and c.D offered, which I declined. I mainly kind of into the vinyl vinyl fever. The company had our the company founded in Tel Televisa in 1946 as a partnership of Zebb Levin with a number of other partners. But Levon was an immigrant from Berlin where he owned and operated a bookshop and a recording label called Samarra. Samarrah was operating until it was smashed and burned during Cristol, not which of course, was when the Nazis made their initial declaration of hatred against the Jews. Now. As I was hoping to be funded to go do this. That didn't materialize. But Ben Roth of if you who was kind of in charge of this collection, he sent me a note that said I would had to move quickly if I wanted to for the material.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=231.91,395.96"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I did talk to our curator, Matt Barton, and he said and Tessa kind of tacitly kind of kind of encouragingly, go get it or at least see what we can do. So I. I took that to see. OK, let's see what I can do. So I wound up using my own leave time using my own truck and essentially my truck's not huge, but that's the back of it. And essentially loaded it in. And in fact, it took two to loads, essentially. And to paraphrase Studs Terkel, I might say, where is it? It's a collection that we have at the Library of Congress that I helped to work on. Work is and should not be just a place to make sure you don't starve. Meaningful work feeds the soul and figures the spirit. Librarianship and archiving should do all that it can do to make sure the collective spirit is fed and nurtured. So I say bureaucracy, qmr bureaucracy. They say they write. Okay. I feel like you have to ask a few questions of your workplace. Are you allowed to ask questions? First of all. Second of all, are you allowed to make mistakes? And since natural law is big around Charlottesville, because Thomas Jefferson proposed it and wrote about it, states that you were allowed to feed your soul, natural law should take precedence of things that do not do not feed your soul. And since I did have ancestry in World War Two who were basically exterminated by the Nazis. This may cause some noncompliance or some non complacency in anything that would have said no to this project. Tell you the truth. I probably would have done it no matter what. So going rogue, so to speak, in the eyes of institutions that violate your spiritual laws is, in my opinion, not going rogue at all.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=397.16,552.09"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I don't know if that's full of shit or not, but I have this little thing says proceed as a success is inevitable. And I keep that posted because, you know, it's a it was worth a dollar fifty. I bought it, you know. Did I mention that I'm half Jewish? No one can stop a tidal wave. Actually, I said that totally wrong to come back to that quote. But essentially, I drove twelve hundred miles. And that's one way from Culpeper, Virginia, down to Miami, actually, Boca Raton to pick these up and drop them off in my condo in Miami. And I drove. Of course, the way back. But I stop in Tallahassee because my parents live there. But so was twenty four hundred miles one way. I did that twice for this collection. So I had to say something about it. Boy, I wish this page down here. And that's essentially my condo for at least a good three or four months. I was sorting these things on my vacation time and basically sorting them label, name and number. And it took a while. You know it. If you wonder how long that might take, I'd say, oh, three weeks to a month, just sorting and sorting out. We keep two copies and they gave us. OK. So then I drove back and this was like in Thanksgiving and Christmas as well. But I have to take think Ben Roth. And if you was I rewarded for this? Not whatsoever. In fact, it had its own rewards, like obtaining for the library comedy records that we did not have, which is really what I'm interested in in terms of content musically. I'm not that I don't know much at all. But essentially, these are the numbers.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=555.63,710.55"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I did acquire two thousand two hundred titles and 3000 copies. And I surplused, you know, and that's just the 12. And sure, we had 10 inch, one hundred and seventeen titles. And these are things that you don't find every day. So I have to say again, thanks to Ben Rock and his staff that they've been collecting for decades. Jewish materials. Was this a normal thing to do? I loved the name of this record by Dr. Murray Banks, who is a psychologist in the 50s and 60s in New York State, and he use humor to get his points across. He was quite a he was quite a good. Lecturer and he's Jewish humor, of course, is acerbity and often self-deprecating. I understand the Jewish episode of Being Jewish just just for the jokes. And let's give a listen to what he's like. Have you ever had this experience? Have you ever had a friend of yours come up to you and say, I'll tell you the truth, I'm really miserable. I wish I knew where I could go to find a little happiness. Where is it? Where do you go for it? You know where Paris meets California. You notice happiness is always someplace where you are not. California. Florida. Lost wages. Nevada. It's always some place where you are not. When I was a little boy, I stood in Woolworth's one day and I watched with fascination a little chipmunk running on a wheel. The chipmunk would run and run and run. Yet no matter how much he ran, he always stood in exactly the same spot. When will human beings learn it? If happiness is ever to be found, it must be found in one single place inside yourself. I heard a woman say, wherever I go, I must take myself along.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=711.57,850.98"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And that spoils everything. Happiness. I think that was kind of like the bottom line, why I did this, tell you the truth. I was bored. But I have to say, you know, I was caught and still must stand trial for an incident of parking for five minutes in a Library of Congress vehicle parking space. This is the truth. This is after I drive forty eight hundred miles to retrieve three thousand Jewish records and bureaucracy. Schmoo Eurocracy like that, I think, is why government gets a bad name and why I feel a little bit frustrated at times. Now a word about my dad, Professor of Library Science at Florida State for 35 years later, adjunct of University of South Florida, author of Jewish Extraction Agnostic. He didn't teach me much Jewish stuff, but he certainly gave me kind of a Jewish general knowledge. I think he gets it. He has a good sense of you, their humor. He's author of, among other things, Literature Reviews about burnout in librarianship. And I actually referenced his article from 1992, which said something to the effect The battle against burnout can be waged most effectively as a cooperative effort between librarian and library manager and the promotion of mental health. Both parties need to be aware of the debilitation. Burnout can bring in both should be ready to modify behaviors and alter environments to lessen the impact of stress in the workplace. He goes on to suggest improving communication purchases for poetry workshops and help sessions, etc.. I can remember driving to D.C. for the first time with my parents in probably I was seventh grade or so and we went to the Jefferson Building and we looked up in the card catalog. And this is why, probably why I'm always wanted to work in a library.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=851.85,998.01"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Congress saw my dad's name on his books in the Library of Congress. I so that it means something to me to work in the Library of Congress. I think it's an important institution. And I think obtaining these kind of materials that are not common throughout the United States is important. Yiddish is excuse me, Hebrew is spoken primarily, of course, in Israel, but second in the United States. So I think it's a culture that needs to be addressed at times as well. My mom's not Jewish. She's Lithuanian, but not a Litvack, which is a term I learned just recently, actually. So in honor of Mother's Day, we're going to play a little clip from how to be a Jewish mother. Gertrude Berg, who played Molly Goldberg in the original Goldbergs on radio and TV. The announcer is David Bross. And they kind of treat it as a training manual. So here's a lesson to listen to the Jewish Mothers Guide to Food Distribution. Just as Mother Nature abhors a vacuum. The Jewish mother abhors an empty mouth, very important at meal times. Be sure that it is a continuous flow of food from stove to platter to plate to mouth. If anyone should be foolish enough to decline a particular dish, potatoes, for example, proceed as follows. Henry, what do you mean no potatoes? You think I'm taking poison? You take only a sliver of the potatoes. Okay, but remember, only a slip. You may now proceed to fill his plate with. When the last crumb has been cleared from all plates by means of pointed references to privation in Europe, you are ready for the real test of your art. Harry, I can tell that you're ready for a third helping of chicken. Believe me, Sylvia.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=998.34,1148.03"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"If I took one more piece of chicken, I would sprout feathers. Harry doesn't like the way I cook chicken. Yelled, Love, it helps. And that's the back of the cover. What else? Considering this kind of struck me as well, considering we had section heads who were either Jewish or married to Jewish people, the same here Saddam was anyway. They didn't stack the deck. I mean, they they didn't overfill our collection with Jewish materials. We have collections that have people who happen to be Jewish. Milton Berle, Jerry Lewis, Mitch Miller, Danny Kaye and so on. But it's not because they're Jewish that we have these collections because they were talented. We have a number of other. Here's some here's some records that are of comedians who are Jewish. That I got from this. A You collection the Barton Brothers. They were neither brothers nor named Barton, but they inspired other comedians to perform in Yiddish. Emile Cohen, who performed up until he was 87 and only died in the year 2000. Benny Bell achieved some fame late in life when Dr. Demento started playing his shaving cream song. Lou Mason and another guy named Morris Orson, who were big in the Catskills, and Eli Bassi or Bass, who was a comedian's comedian and a writer for comedians such as Milton Berle, Sophie Tucker, Jackie Gleason and others here, I learned what a Levak was and let facts were Lithuanian Jews who practically assimilate, practically ACCS assimilated in order to escape being murdered, essentially. And they were referred to as cross heads by the Galician Jews who were from Poland slash Ukraine and who spoke Yiddish and were what they felt was more true to true Hebrew ism. I'm going to play a little bit of this.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=1148.57,1325.01"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This is just a touch of. From my life, I've got such aggravation kids driving me out from my window. She's from a different denomination. I'm a buck and she's a girl. Let's. We're happily married. I don't want to spoil. We understand each other completely. Then they talk. I say, Doximity, says Medved, that on puts us up to date. What's the difference? The a bit I spit shine the lid and she's a girl that is driving me crazy. I married such young GLIC. She don't even know what chicken is. I'm thinking. She keeps kicking. I'm speaking, says I put on the Ritz cause I'm a laid back. And she is again. He. My darling, there is no one fine. Intense, Donovan scored even Catalina. Can I call this chain is such a shame. I'm not there yet. This should have been good in China, solve this case. She's just plagued. Every time that I get pregnant, she gets pregnant. So this tag is Tigers', but I guess I'll call it this. And she's young. OK. Timing was off on that one, too. But finally, I'm just going to mention Larry Best, who is from New York. And he had a strange talent for mimicry. He toured with musical groups such as Fred Waring in the Pennsylvanians and the Radio Ramblers. He was big in the Catskills. He's also an actor who appeared and Jerry Lewis is the bellboy. He appears here on Rivoli, which was a sub label of tick. Let's get this started. And after that, after actually this image, you're going to see another montage of additional albums. And everybody is converting this concert. He is truly. Oh, that guy. Your man is. Everybody wants to be a target. And Sammy Davis would save us is next.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=1325.46,1521.61"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We are glad you gave us, but we hope that you'll be keeping Malcolm X. Hitting overcrowding. There are many that we have missed. They're lined up tick, get that. Even now she gets on doneness. Everyone wants to be a year old. Just tell them I love your shoes. Bulging in the middle. They're all constructing parking. But as a result of this congestion. There's been a run on bagels and lox, and the 64000 dollar question is why they ever happened to your tax conversion rates are really rising. It's surprising, but it's true. Baptizes has been replaced by circumciser. There's no firm that the Vatican can do cause everybody wants to be a. Well, that's basically all I have to say. But I do have the list completed finally, which I actually need to give to mature and Katlin, my boss. But I think it ought to be publicly accessible as well. Finally, I wish I had some magical words to wrap this up with. But I have no. I think that Library Congress is a good institution. It's it's not a it could be better, but it's it's got some joy. Yeah, exactly. Thank you. And if you have any questions, let me know. Thank you, Daniel. Before we ask questions, you raise your hand, I gonna bring the microphone around because it's being recorded. So we just want to make sure all the questions are recorded. So do we have any questions? I actually really enjoyed your presentation, and I think that the material is a vast importance to ethnomusicology like myself, for one. So I think it has tremendous value, especially for people doing research in this field, because I was curious when you played the song that sounded Cuban, but they were singing about Jewish lyrics.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=1523.76,1708.0"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I mean, that's very interesting to why they were singing with the brass. Yeah. I had a Cuban beat and I'm like, well, why? So those are the kind of questions I think that ethnomusicologists would love to dissect. So anyway, all the more that's out there. Yeah. Thank you. Appreciate it. Which is simply that in the 40s and 50s, Cuban music was enormously popular in New York. Places like the Palladium Ballroom. I've got up 78 in my own collection. I hope we open the library's collection called Yiddish Rumba. Terrific record. And, you know, at the end of many of the top Latin bands were performing in the Catskills at places like Grossinger's. So that music definitely had a following. I mean, among many people in New York, including Jews. Any more questions? Thank you, Dan. I think that was an important conversation to start and ask you considered any other ways of approaching this, feeding your soul the kind of work it strikes me that you can you could have made? Maybe you like a Web site where you would share Albie's instead of building the library's collection. I wonder how much of that was about starting a conversation about your role in the library or if it was just about sharing the content with his? Well, primarily, I wanted to make sure that people knew about that. We had this now because we really did. I mean, like I said, we had materials that Jewish people have done, but not really materials that are particularly about Jewish culture so much. Just having them in the library was an important part of the I'm sorry. So having them in the library's collection was an important part of the work? Yeah, I think so. I think so.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=1708.39,1832.53"},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I mean, I, I mean, the library Congress can do a lot better than anything I could do in terms of historical preservation. But is that what you're saying? Keep him in my my basement or, you know, share them in other ways. But I mean, we can probably store them, but maybe you would. Well, there are a lot of institutions I've noticed now that are basically kind of miles ahead of us in terms of sharing things on the Internet, that's for sure. I don't know that we can always say that we're gonna be the one and the only the best that. But we can say that I can say right now we have we have a shit ton of stuff that. No, actually, one thing I did want to say additionally is that which would make it a better institution, in my opinion. Is that all those uncatalogued materials, even the commercial kelpies, need to be catalog, particularly those things that are small label, independent label. We may have the only copy in any library and probably not in not in the world. But, you know, if you want to copy that, people can just refer to at least let people know that we have it. And I would say a catalog is a first step. I address your question. I think so. Okay. I don't know what more to say, but thank you. Can you give us one more round of applause to any.","format":"text/plain"},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507#t=1833.01,1930.32"}]},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/97507/transcript/19082/annotation/13","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/019/082/original/open-uri20200924-1389-2kefob?1600957474","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/019/082/original/open-uri20200924-1389-2kefob?1600957474"}]}]},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/255826","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2017_Blazek_audio.mp3"]},"duration":1922.14344,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/255826/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/255826/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/826/original/ARSC_conf_2017_Blazek_audio.mp3?1730760917","type":"Audio","format":"audio/mpeg","duration":1922.14344,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/29692/file/255826","metadata":[]}]}],"annotations":[]}]}