{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/c53dz03f0t/manifest","type":"Manifest","label":{"en":["Rock 'n' Roll @ 60: Race \u0026 Music \u0026 Message at the Dawn of the Civil Rights Movement"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Bill Doggett (Presenter)","Tim Brooks (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2016-05-12 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eMy multimedia presentation overview of a full day symposium topic is a provocative look at the times in which rock ‘n’ roll emerged in 1956. The presentation is a celebration of the 60th anniversary of rock ‘n’ roll through the lens of controversy: race, race politics, and music, which intersected at the dawn of the Civil Rights Movement. A brief exploration will be offered of the rise of Elvis as \"the great white hope\" who could sing and play like a \"Colored boy\" in a new music that was gaining popularity called rock ‘n’ roll. Elvis was the answer. White teens loved doo wop, but Negro male ensembles did doo wop: a great threat to white teenagers, especially white female teenagers. Elvis will be juxtaposed to source material Arthur Crudup, Big Mama Thornton and the roles of Alan Freed and Dick Clark shows in \"race mixing\" during the era of Rosa Parks, Montgomery Bus Boycott and Little Rock School Integration protests.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis"]}}],"summary":{"en":["\u003cp\u003eMy multimedia presentation overview of a full day symposium topic is a provocative look at the times in which rock \u0026lsquo;n\u0026rsquo; roll emerged in 1956. The presentation is a celebration of the 60th anniversary of rock \u0026lsquo;n\u0026rsquo; roll through the lens of controversy: race, race politics, and music, which intersected at the dawn of the Civil Rights Movement. A brief exploration will be offered of the rise of Elvis as \"the great white hope\" who could sing and play like a \"Colored boy\" in a new music that was gaining popularity called rock \u0026lsquo;n\u0026rsquo; roll. Elvis was the answer. White teens loved doo wop, but Negro male ensembles did doo wop: a great threat to white teenagers, especially white female teenagers. Elvis will be juxtaposed to source material Arthur Crudup, Big Mama Thornton and the roles of Alan Freed and Dick Clark shows in \"race mixing\" during the era of Rosa Parks, Montgomery Bus Boycott and Little Rock School Integration protests.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/587/small/open-uri20200922-6764-109svcf_1600817063.jpg?1600802683","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29727/file/97587","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-109svcf.mp4"]},"duration":2189.80267,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/587/small/open-uri20200922-6764-109svcf_1600817063.jpg?1600802683","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29727/file/97587/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29727/file/97587/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/587/original/open-uri20200922-6764-109svcf.mp4?1600802634","type":"Video","format":"video/mp4","duration":2189.80267,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29727/file/97587","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29727/file/255760","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2016_Doggett_audio.mp3"]},"duration":2227.417,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29727/file/255760/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29727/file/255760/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/760/original/ARSC_conf_2016_Doggett_audio.mp3?1730750857","type":"Audio","format":"audio/mpeg","duration":2227.417,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29727/file/255760","metadata":[]}]}],"annotations":[]}]}