{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/cn6xw49d2f/manifest","type":"Manifest","label":{"en":["New Center for Music Studies at Columbia University, ARCasia in Singapore, and the New Approaches to Mass Cataloging"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["B. George (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2008-03-29 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eARC is the largest collection of popular music in the world with over two million sound recordings. This fall ARC will join with Columbia University to create the Center for Popular Music, the first commitment by a major American University to the study of popular music, and with the National Library of Singapore to create ARCasia, dedicated to collecting the regional music of Asia. ARC suggests a talk to explore how these two new centers will impact the academic and music communities - offering scholarly opportunities, venues, exhibitions and access to our vast collections - on site and online. We will also offer an overview of the collections at the ARC and discuss our first three inaugural projects: The National Discography. The mounting of the ARChive's metadata, in an easy to use, freely available database of over two million recordings. Crash Course. Online attempt to catalog all the Islamic music in the world in one day. Hosted by Columbia University, emceed by Youssou N'Dour, this will be a live, one-day event, with over a hundred IT people and 10,000 online contributors. The Apollo Theater Database and Archive. Calendar based database chronicling the nearly 75 year history of one of Americas greatest venues. Project will build a permanent archive (currently none exists), link objects to specific performers/performances, list all songs and routines performed on each day the theater was open, provide commentary by scholars and participants, and provide jobs in the Harlem community.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eARC is the largest collection of popular music in the world with over two million sound recordings. This fall ARC will join with Columbia University to create the Center for Popular Music, the first commitment by a major American University to the study of popular music, and with the National Library of Singapore to create ARCasia, dedicated to collecting the regional music of Asia. ARC suggests a talk to explore how these two new centers will impact the academic and music communities - offering scholarly opportunities, venues, exhibitions and access to our vast collections - on site and online. We will also offer an overview of the collections at the ARC and discuss our first three inaugural projects: The National Discography. The mounting of the ARChive's metadata, in an easy to use, freely available database of over two million recordings. Crash Course. Online attempt to catalog all the Islamic music in the world in one day. Hosted by Columbia University, emceed by Youssou N'Dour, this will be a live, one-day event, with over a hundred IT people and 10,000 online contributors. The Apollo Theater Database and Archive. Calendar based database chronicling the nearly 75 year history of one of Americas greatest venues. Project will build a permanent archive (currently none exists), link objects to specific performers/performances, list all songs and routines performed on each day the theater was open, provide commentary by scholars and participants, and provide jobs in the Harlem community.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128625/file/240129","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20240504-2220384-grcq30.mpga"]},"duration":1768.47169,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128625/file/240129/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128625/file/240129/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/240/129/original/open-uri20240504-2220384-grcq30.mpga?1714790419","type":"Audio","format":"audio/mpeg","duration":1768.47169,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128625/file/240129","metadata":[]}]}],"annotations":[]}]}