{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/dj58c9rs9b/manifest","type":"Manifest","label":{"en":["The Impact of Digital Sound: A Twitter Reception Study"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Francesca Giannetti (Presenter)","Kurt Nauck (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2015-05-29 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eAcademic and cultural heritage institutions around the world have made measurable strides in the development of digital sound archives oriented towards research and access, but their impact on scholarship and society is little known. What kinds of research activity do these collections enable that was not as readily accomplished before? What genres or types of recordings garner the most attention from researchers and members of the general public? And in the case of Twitter, what can tweets tell us about the audience impacts achieved by digital sound archives? This paper tracks the Twitter conversations generated over a period of five months (August 2014 to January 2015) by six digital sound archives: British Library Sounds, Europeana Sounds, the Internet Archive Audio Archive, the National Jukebox of the Library of Congress, PennSound and UbuWeb. Particular attention will be paid to what Simon Tanner describes as social and audience impacts and innovation impacts (Tanner, Measuring the Impact of Digital Resources: The Balanced Value Impact Model). The goal of this work is to advance a reception theory of digital sound that allows us to glimpse the moving tapestry of professional and general interest, encompassing user values as well as institutional impacts. It is hoped that this research will yield insights into the uses of sound collections, as well as shed light on future directions for the digitization and discovery of sound.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eAcademic and cultural heritage institutions around the world have made measurable strides in the development of digital sound archives oriented towards research and access, but their impact on scholarship and society is little known. What kinds of research activity do these collections enable that was not as readily accomplished before? What genres or types of recordings garner the most attention from researchers and members of the general public? And in the case of Twitter, what can tweets tell us about the audience impacts achieved by digital sound archives? This paper tracks the Twitter conversations generated over a period of five months (August 2014 to January 2015) by six digital sound archives: British Library Sounds, Europeana Sounds, the Internet Archive Audio Archive, the National Jukebox of the Library of Congress, PennSound and UbuWeb. Particular attention will be paid to what Simon Tanner describes as social and audience impacts and innovation impacts (Tanner, Measuring the Impact of Digital Resources: The Balanced Value Impact Model). The goal of this work is to advance a reception theory of digital sound that allows us to glimpse the moving tapestry of professional and general interest, encompassing user values as well as institutional impacts. It is hoped that this research will yield insights into the uses of sound collections, as well as shed light on future directions for the digitization and discovery of sound.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/690/small/ARSC_conf_2015_Giannetti_video_thmb.jpg?1675378718","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48664/file/121690","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20210821-32762-pq7rl.mp4"]},"duration":1764.94933,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/690/small/ARSC_conf_2015_Giannetti_video_thmb.jpg?1675378718","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48664/file/121690/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48664/file/121690/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/121/690/original/open-uri20210821-32762-pq7rl.mp4?1629578333","type":"Video","format":"video/mp4","duration":1764.94933,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48664/file/121690","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48664/file/255664","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2015_Giannetti_audio.mp3"]},"duration":1781.00681,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48664/file/255664/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48664/file/255664/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/664/original/ARSC_conf_2015_Giannetti_audio.mp3?1730738455","type":"Audio","format":"audio/mpeg","duration":1781.00681,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48664/file/255664","metadata":[]}]}],"annotations":[]}]}