{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/dj58c9sr80/manifest","type":"Manifest","label":{"en":["A Brave New World at the National Archives"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Kate Murray (Presenter)","Jessica Sims (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2009-05-29 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eOn June 19, 2009, the National Archives and Records Administration (NARA) will celebrate its 75th anniversary. Much has changed since 1934 but the most dramatic transformations in the Audio-Video Preservation Labs (AV Labs) are taking place right now. Although audio collections account for a very small percentage of NARA’s vast holdings, which total about 225,000 items, several recent initiatives have moved them towards the forefront of NARA’s preservation mission. The AV Labs, housed in Archives II in College Park, Maryland, are undergoing major reorganization at almost every level including staffing models, workflows, project management, and equipment. Perhaps most significant is the transition to a digital file system for both preservation masters for permanent retention as well as access copies. This seismic shift in process is part of a larger NARA Preservation Programs move away from analogue and/or physical media towards a networked and interoperable digital file-based system. As we work through this progression in the coming months and years, there are many issues still to be considered and resolved. This talk will explore NARA’s AV Labs legacy past including important projects and milestones, its dynamic and changeable present including the adaptation of new levels of the intellectual control of information, as well as future directions including the integration of a mass file storage unit and tools which allow for batch processing and the creation of derivative files for accessibility.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eOn June 19, 2009, the National Archives and Records Administration (NARA) will celebrate its 75th anniversary. Much has changed since 1934 but the most dramatic transformations in the Audio-Video Preservation Labs (AV Labs) are taking place right now. Although audio collections account for a very small percentage of NARA\u0026rsquo;s vast holdings, which total about 225,000 items, several recent initiatives have moved them towards the forefront of NARA\u0026rsquo;s preservation mission. The AV Labs, housed in Archives II in College Park, Maryland, are undergoing major reorganization at almost every level including staffing models, workflows, project management, and equipment. Perhaps most significant is the transition to a digital file system for both preservation masters for permanent retention as well as access copies. This seismic shift in process is part of a larger NARA Preservation Programs move away from analogue and/or physical media towards a networked and interoperable digital file-based system. As we work through this progression in the coming months and years, there are many issues still to be considered and resolved. This talk will explore NARA\u0026rsquo;s AV Labs legacy past including important projects and milestones, its dynamic and changeable present including the adaptation of new levels of the intellectual control of information, as well as future directions including the integration of a mass file storage unit and tools which allow for batch processing and the creation of derivative files for accessibility.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128458/file/240067","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2009_Murray_Sims_audio.mp3"]},"duration":1608.07981,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128458/file/240067/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128458/file/240067/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/240/067/original/ARSC_conf_2009_Murray_Sims_audio.mp3?1714698443","type":"Audio","format":"audio/mpeg","duration":1608.07981,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128458/file/240067","metadata":[]}]}],"annotations":[]}]}