{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/fx73t9dr7k/manifest","type":"Manifest","label":{"en":["A Garage in South Philly: The Vernacular Music Research Archive of Thornton Hagert"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["David Sager (Presenter)","Anne Stanfield-Hagert (Presenter)","Patrick Midtlyng (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2018-05-13 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eIn a South Philadelphia garage, sits the Vernacular Music Research Archive, the collection of musician, musicologist, and longtime ARSC member Thornton “Tony” Hagert (1930-2017). The archive, which was accessible to others, was a vehicle for Hagert’s own research. In addition to a long-held government position, he led various bands, making use of the collection’s rare printed orchestrations. (Most notably the New Sunshine Jazz Band, who recorded a very successful LP “Old Rags” on the Flying Dutchman label.) Hagert also made significant contributions to the academic field, with his scholarly LP liner notes, and book chapters. In the late 1940s, when jazz scholarship was embryonic, Hagert, a self-taught cornetist, went about exploring the relationship between performances on early classic jazz recordings and analogous published music, attempting to systematically unravel the mysteries of “hot” jazz. He began acquiring recordings, orchestrations, sheet music, etc. His collection grew to include over 125,000 items of printed music, 75,000 recordings, 5,500 books and 2,000 periodicals. The archive’s scope spans the early 1800s through the 1900s and covers genres as diverse as African-American music and dance, including minstrel, spiritual, gospel, ragtime, blues, and early and modern jazz. Also found is cowboy, old-time country, ethnic, Hawaiian and Latin music. Since his death, Hagert’s wife, Anne, has continued to keep the archive accessible. This presentation will be an introduction to Hagert’s work and as an overview of the archive to aid in its dissemination.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis"]}}],"summary":{"en":["\u003cp\u003eIn a South Philadelphia garage, sits the Vernacular Music Research Archive, the collection of musician, musicologist, and longtime ARSC member Thornton \u0026ldquo;Tony\u0026rdquo; Hagert (1930-2017). The archive, which was accessible to others, was a vehicle for Hagert\u0026rsquo;s own research. In addition to a long-held government position, he led various bands, making use of the collection\u0026rsquo;s rare printed orchestrations. (Most notably the New Sunshine Jazz Band, who recorded a very successful LP \u0026ldquo;Old Rags\u0026rdquo; on the Flying Dutchman label.) Hagert also made significant contributions to the academic field, with his scholarly LP liner notes, and book chapters. In the late 1940s, when jazz scholarship was embryonic, Hagert, a self-taught cornetist, went about exploring the relationship between performances on early classic jazz recordings and analogous published music, attempting to systematically unravel the mysteries of \u0026ldquo;hot\u0026rdquo; jazz. He began acquiring recordings, orchestrations, sheet music, etc. His collection grew to include over 125,000 items of printed music, 75,000 recordings, 5,500 books and 2,000 periodicals. The archive\u0026rsquo;s scope spans the early 1800s through the 1900s and covers genres as diverse as African-American music and dance, including minstrel, spiritual, gospel, ragtime, blues, and early and modern jazz. Also found is cowboy, old-time country, ethnic, Hawaiian and Latin music. Since his death, Hagert\u0026rsquo;s wife, Anne, has continued to keep the archive accessible. This presentation will be an introduction to Hagert\u0026rsquo;s work and as an overview of the archive to aid in its dissemination.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/735/small/open-uri20200922-6764-1vmgnmv_1600819770.jpg?1600805389","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29812/file/97735","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-1vmgnmv.mp4"]},"duration":1918.22933,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/735/small/open-uri20200922-6764-1vmgnmv_1600819770.jpg?1600805389","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29812/file/97735/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29812/file/97735/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/735/original/open-uri20200922-6764-1vmgnmv.mp4?1600805365","type":"Video","format":"video/mp4","duration":1918.22933,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29812/file/97735","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29812/file/256144","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2018_Sager_Stanfield-Hagert_audio.mp3"]},"duration":1924.88,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29812/file/256144/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29812/file/256144/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/256/144/original/ARSC_conf_2018_Sager_Stanfield-Hagert_audio.mp3?1730834809","type":"Audio","format":"audio/mpeg","duration":1924.88,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29812/file/256144","metadata":[]}]}],"annotations":[]}]}