{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/g73707zc8z/manifest","type":"Manifest","label":{"en":["Before Sousa: The Patrick Gilmore Story"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Dan Reed (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2008-03-27 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003ePatrick Sarsfield Gilmore stands at the edge of early recorded sound history. Although John Philip Sousa looms large in the national consciousness, Gilmore was just as famous decades earlier. His career blazed a pioneering trail that Sousa followed and improved upon (even GilmoreÕs topnotch manager, David Blakely joined Sousa!). Gilmore is perhaps best known for his National Peace Jubilee (1869) and International Peace Jubilee (1872). The Jubilees were tantamount to a musical three-ring circus, each one larger and more bombastic. Imagine a chorus of 10,000 voices and an orchestra of 2,000. Not to be outdone, 100 New York City firemen wielding sledgehammers playing what elseÉThe Anvil Chorus! And donÕt forget the Bass Drum that was a show-stopping 23 feet tall. What else would you expect from a man who once worked for P.T. Barnum? Gilmore, like Sousa, was a prolific and successful composer. When Johnny Comes Marching Home (1863) is well known today as well as Columbia (1879). He was the first person to create a professional concert band and whose members included the elite instrumental soloists of the day. Touring extensively throughout the United States served to spread his fame and that of his band. GilmoreÕs band made some of the earliest recordings for the Edison company and though he died in 1892, his ghost band recorded into the early 1900s.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003ePatrick Sarsfield Gilmore stands at the edge of early recorded sound history. Although John Philip Sousa looms large in the national consciousness, Gilmore was just as famous decades earlier. His career blazed a pioneering trail that Sousa followed and improved upon (even Gilmore\u0026Otilde;s topnotch manager, David Blakely joined Sousa!). Gilmore is perhaps best known for his National Peace Jubilee (1869) and International Peace Jubilee (1872). The Jubilees were tantamount to a musical three-ring circus, each one larger and more bombastic. Imagine a chorus of 10,000 voices and an orchestra of 2,000. Not to be outdone, 100 New York City firemen wielding sledgehammers playing what else\u0026Eacute;The Anvil Chorus! And don\u0026Otilde;t forget the Bass Drum that was a show-stopping 23 feet tall. What else would you expect from a man who once worked for P.T. Barnum? Gilmore, like Sousa, was a prolific and successful composer. When Johnny Comes Marching Home (1863) is well known today as well as Columbia (1879). He was the first person to create a professional concert band and whose members included the elite instrumental soloists of the day. Touring extensively throughout the United States served to spread his fame and that of his band. Gilmore\u0026Otilde;s band made some of the earliest recordings for the Edison company and though he died in 1892, his ghost band recorded into the early 1900s.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128645/file/240149","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20240504-2220384-31du01.mpga"]},"duration":2087.50513,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128645/file/240149/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128645/file/240149/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/240/149/original/open-uri20240504-2220384-31du01.mpga?1714790547","type":"Audio","format":"audio/mpeg","duration":2087.50513,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128645/file/240149","metadata":[]}]}],"annotations":[]}]}