{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/gq6qz2440r/manifest","type":"Manifest","label":{"en":["A Partnership for Preservation: UCLA and the Lou Curtiss San Diego Folk Festival Collection"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Aaron M. Bittel (Presenter)","Russ Hamm (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2009-05-29 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eOver the course of 30-plus years as a record collector, folk music impresario, record shop owner, columnist, and radio host, Lou Curtiss has been intimately connected with the San Diego folk music scene – and he has the tapes to prove it. His vast audio library documents the scene from the early 1960s through the late 1970s, through recordings of the numerous festivals he organized (including the San Diego Folk Festivals) and other performances at local venues. The collection captures live performances of a vast array of notable musicians, from Elizabeth Cotten to U. Utah Phillips, The Balfa Brothers to the Boys of the Lough. Finding funding for digitization projects has grown increasingly more challenging, particularly for private audio collections. Many grantors now suggest (some require) that individuals and smaller community organizations partner with larger, more well-known institutional archives and libraries for their preservation projects. In 2007 the San Diego Folk Heritage foundation was awarded a GRAMMY Foundation grant to digitally preserve and make accessible a portion of the Curtiss collection, in part because they chose to partner with institutional archives, including the UCLA Ethnomusicology Archive. Such partnerships combine the initiative, talents and content of private collections with the experience, reputation, and resources of institutional archives to assure quality-controlled, standards-based digital preservation with viable long-term accessibility for important cultural heritage materials. We will discuss how this partnership was arranged, the roles and relationships of the participants, and the benefits to each partner and to the collection.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eOver the course of 30-plus years as a record collector, folk music impresario, record shop owner, columnist, and radio host, Lou Curtiss has been intimately connected with the San Diego folk music scene \u0026ndash; and he has the tapes to prove it. His vast audio library documents the scene from the early 1960s through the late 1970s, through recordings of the numerous festivals he organized (including the San Diego Folk Festivals) and other performances at local venues. The collection captures live performances of a vast array of notable musicians, from Elizabeth Cotten to U. Utah Phillips, The Balfa Brothers to the Boys of the Lough. Finding funding for digitization projects has grown increasingly more challenging, particularly for private audio collections. Many grantors now suggest (some require) that individuals and smaller community organizations partner with larger, more well-known institutional archives and libraries for their preservation projects. In 2007 the San Diego Folk Heritage foundation was awarded a GRAMMY Foundation grant to digitally preserve and make accessible a portion of the Curtiss collection, in part because they chose to partner with institutional archives, including the UCLA Ethnomusicology Archive. Such partnerships combine the initiative, talents and content of private collections with the experience, reputation, and resources of institutional archives to assure quality-controlled, standards-based digital preservation with viable long-term accessibility for important cultural heritage materials. We will discuss how this partnership was arranged, the roles and relationships of the participants, and the benefits to each partner and to the collection.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128431/file/240020","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2009_Bittel_Hamm_audio.mp3"]},"duration":2718.6895,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128431/file/240020/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128431/file/240020/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/240/020/original/ARSC_conf_2009_Bittel_Hamm_audio.mp3?1714689969","type":"Audio","format":"audio/mpeg","duration":2718.6895,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128431/file/240020","metadata":[]}]}],"annotations":[]}]}