{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/gx44q7r61n/manifest","type":"Manifest","label":{"en":["Understanding Leopold Stokowski's Musical Intent"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Margaret Dziekonski (Presenter)","Patrick Midtlyng (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2018-05-12 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eLeopold Stokowski was one of the most influential musicians of the 20th century, leaving behind a legacy of exploration and experimentation with recording, film and radio technologies, orchestral disposition, orchestral techniques, acoustics and New Music. Extant literature on Stokowski is primarily biographical, historical or journalistic: my work instead focuses on providing a detailed study of his performance approach. In order to build an understanding of his personal approach to established ideas and principles, this paper explores Stokowski’s recordings, annotated orchestral scores, personal effects, and interviews with those who knew and worked with him. Key annotations in Stokowski’s working score of Beethoven’s Ninth Symphony, a pillar of the classical musical canon, give insight into his working musical language and intent, providing a basis for discussion of his place in the interpretative canon. Sound graphs of recordings of key repertoire—chosen from throughout his sixty-year recording career—provide a visualization of his approach to musical interpretation, demonstrating the complexity of musical intent as it relates to musical result. In light of the common perception that Stokowski was an iconoclast, this paper draws upon previously unstudied primary source materials in an effort to re-evaluate Stokowski’s motives and ostensible place in history, and to explore his continuing relevance to the musician of today.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis"]}}],"summary":{"en":["\u003cp\u003eLeopold Stokowski was one of the most influential musicians of the 20th century, leaving behind a legacy of exploration and experimentation with recording, film and radio technologies, orchestral disposition, orchestral techniques, acoustics and New Music. Extant literature on Stokowski is primarily biographical, historical or journalistic: my work instead focuses on providing a detailed study of his performance approach. In order to build an understanding of his personal approach to established ideas and principles, this paper explores Stokowski\u0026rsquo;s recordings, annotated orchestral scores, personal effects, and interviews with those who knew and worked with him. Key annotations in Stokowski\u0026rsquo;s working score of Beethoven\u0026rsquo;s Ninth Symphony, a pillar of the classical musical canon, give insight into his working musical language and intent, providing a basis for discussion of his place in the interpretative canon. Sound graphs of recordings of key repertoire\u0026mdash;chosen from throughout his sixty-year recording career\u0026mdash;provide a visualization of his approach to musical interpretation, demonstrating the complexity of musical intent as it relates to musical result. In light of the common perception that Stokowski was an iconoclast, this paper draws upon previously unstudied primary source materials in an effort to re-evaluate Stokowski\u0026rsquo;s motives and ostensible place in history, and to explore his continuing relevance to the musician of today.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/629/small/open-uri20200922-6764-1qclpjh_1600817669.jpg?1600803297","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29744/file/97629","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-1qclpjh.mp4"]},"duration":1820.43733,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/629/small/open-uri20200922-6764-1qclpjh_1600817669.jpg?1600803297","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29744/file/97629/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29744/file/97629/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/629/original/open-uri20200922-6764-1qclpjh.mp4?1600803260","type":"Video","format":"video/mp4","duration":1820.43733,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29744/file/97629","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29744/file/256118","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2018_Dziekonski_audio.mp3"]},"duration":1798.84175,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29744/file/256118/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29744/file/256118/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/256/118/original/ARSC_conf_2018_Dziekonski_audio.mp3?1730829980","type":"Audio","format":"audio/mpeg","duration":1798.84175,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29744/file/256118","metadata":[]}]}],"annotations":[]}]}