{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/jh3cz3358f/manifest","type":"Manifest","label":{"en":["The Starday Story: Lefty Frizzell, Bluegrass, and the King Connection"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Nate Gibson (Presenter)","Steve Ramm (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2011-05-12 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eThe Starday Records imprint represents one of America's most important independent record labels--an empire based on East Texas honky-tonk, rockabilly, bluegrass, western swing, cowboy trios, old-time string bands, Cajun music, jug bands, gospel quartets, cornball comedians, polkas, and almost anything else that has, at one time or another, fallen under the mighty umbrella of country music. This paper will provide a brief introduction to the formation of Starday Records in 1953 (Lefty Frizzell), the subsequent move to Nashville (the Bluegrass Boom) and the eventual merging with King Records in 1968. Weathering through the storm of rock and roll in the late '50s and, later, the Nashville Sound in the early 60s, Starday achieved great success by marketing country music as a nostalgic, heritage music marketing, but not necessarily defining, tradition. Initially, Starday both depended on and represented the best of the 1950s East Texas music scene. After a move to Nashville in 1957, Starday established itself as an independent powerhouse studio and label by representing the antithesis of Nashville, TN (the Nashville Sound) and rejuvenating the careers of performers otherwise considered unsignable. Ultimately, the Starday Story is the preservation of a country music label that played an integral role in preserving our nation's musical heritage. Through this representation of the beginning, middle and end of Starday, the author argues that Starday undoubtedly deserves a place in the canon of not just significant country music labels, but in that of America's most talked about and important independent record labels.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis (Video Editor)"]}}],"summary":{"en":["\u003cp\u003eThe Starday Records imprint represents one of America's most important independent record labels--an empire based on East Texas honky-tonk, rockabilly, bluegrass, western swing, cowboy trios, old-time string bands, Cajun music, jug bands, gospel quartets, cornball comedians, polkas, and almost anything else that has, at one time or another, fallen under the mighty umbrella of country music. This paper will provide a brief introduction to the formation of Starday Records in 1953 (Lefty Frizzell), the subsequent move to Nashville (the Bluegrass Boom) and the eventual merging with King Records in 1968. Weathering through the storm of rock and roll in the late '50s and, later, the Nashville Sound in the early 60s, Starday achieved great success by marketing country music as a nostalgic, heritage music marketing, but not necessarily defining, tradition. Initially, Starday both depended on and represented the best of the 1950s East Texas music scene. After a move to Nashville in 1957, Starday established itself as an independent powerhouse studio and label by representing the antithesis of Nashville, TN (the Nashville Sound) and rejuvenating the careers of performers otherwise considered unsignable. Ultimately, the Starday Story is the preservation of a country music label that played an integral role in preserving our nation's musical heritage. Through this representation of the beginning, middle and end of Starday, the author argues that Starday undoubtedly deserves a place in the canon of not just significant country music labels, but in that of America's most talked about and important independent record labels.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/166/108/small/ARSC_conf_2011_Gibson_video_thmb.jpg?1661547871","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78610/file/166108","type":"Canvas","label":{"en":["Media File 1 of 2 - ARSC_conf_2011_Gibson_video.mp4"]},"duration":1574.61333,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/166/108/small/ARSC_conf_2011_Gibson_video_thmb.jpg?1661547871","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78610/file/166108/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78610/file/166108/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/166/108/original/ARSC_conf_2011_Gibson_video.mp4?1661543548","type":"Video","format":"video/mp4","duration":1574.61333,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78610/file/166108","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78610/file/255042","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2011_Gibson_audio.mp3"]},"duration":1559.87469,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78610/file/255042/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78610/file/255042/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/042/original/ARSC_conf_2011_Gibson_audio.mp3?1730305028","type":"Audio","format":"audio/mpeg","duration":1559.87469,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78610/file/255042","metadata":[]}]}],"annotations":[]}]}