{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/jq0sq8r012/manifest","type":"Manifest","label":{"en":["Meeting In the Middle of a Scene: The Collaborative Creation of the New Brunswick Music Scene Archive"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Christie Lutz (Presenter)","Frank Bridges (Presenter)","Jessica Wood (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2018-05-10 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eIn recent years, numerous local music scene archives have been established to document the music of locations as diverse as Washington, D.C., Louisville, and Southern Illinois. What makes the New Brunswick Music Scene Archive (NBMSA) an interesting case study is that it originates from a library special collections department’s desire to diversify and broaden its holdings and an academic looking to research the vast record labels of a music scene that has not been documented. The merging of these two pursuits from differing trajectories created the NBMSA at Rutgers University’s Special Collections and University Archives in the fall of 2015. Since its inception the NBMSA has hosted three discussion panels; screened a director’s cut of a documentary on local music; hosted several visits from researchers; and provided a week of focus for an undergraduate class. Along with ephemeral material like flyers, zines, set lists and patches, the archive has received donations of standard music formats such as vinyl records, CDs, and cassettes, but also DATs, acetate discs, and radio station carts. Aside from the playback and preservation challenges inherent in A/V materials, the archive has faced challenges from ensuring it is representative of the diverse individuals that make up the scene to contending with the legal complex-ities of copyright. This co-presentation looks to discuss best practices when working with a community to create an archive that documents an ever-shifting scene while providing research opportunities and supporting undergraduate curriculum, as well as to help suggest ways to avoid inevitable pitfalls.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis"]}}],"summary":{"en":["\u003cp\u003eIn recent years, numerous local music scene archives have been established to document the music of locations as diverse as Washington, D.C., Louisville, and Southern Illinois. What makes the New Brunswick Music Scene Archive (NBMSA) an interesting case study is that it originates from a library special collections department\u0026rsquo;s desire to diversify and broaden its holdings and an academic looking to research the vast record labels of a music scene that has not been documented. The merging of these two pursuits from differing trajectories created the NBMSA at Rutgers University\u0026rsquo;s Special Collections and University Archives in the fall of 2015. Since its inception the NBMSA has hosted three discussion panels; screened a director\u0026rsquo;s cut of a documentary on local music; hosted several visits from researchers; and provided a week of focus for an undergraduate class. Along with ephemeral material like flyers, zines, set lists and patches, the archive has received donations of standard music formats such as vinyl records, CDs, and cassettes, but also DATs, acetate discs, and radio station carts. Aside from the playback and preservation challenges inherent in A/V materials, the archive has faced challenges from ensuring it is representative of the diverse individuals that make up the scene to contending with the legal complex-ities of copyright. This co-presentation looks to discuss best practices when working with a community to create an archive that documents an ever-shifting scene while providing research opportunities and supporting undergraduate curriculum, as well as to help suggest ways to avoid inevitable pitfalls.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/716/small/open-uri20200922-6764-397eyo_1600819251.jpg?1600804875","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29793/file/97716","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-397eyo.mp4"]},"duration":2327.808,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/716/small/open-uri20200922-6764-397eyo_1600819251.jpg?1600804875","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29793/file/97716/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29793/file/97716/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/716/original/open-uri20200922-6764-397eyo.mp4?1600804845","type":"Video","format":"video/mp4","duration":2327.808,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29793/file/97716","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29793/file/256134","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2018_Lutz_Bridges_audio.mp3"]},"duration":2288.37369,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29793/file/256134/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29793/file/256134/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/256/134/original/ARSC_conf_2018_Lutz_Bridges_audio.mp3?1730833860","type":"Audio","format":"audio/mpeg","duration":2288.37369,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1143/collection_resources/29793/file/256134","metadata":[]}]}],"annotations":[]}]}