{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/js9h41m854/manifest","type":"Manifest","label":{"en":["An Evening at the New York Philharmonic Archives"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Dennis D. Rooney (Chair)","Seth B. Winner (Presenter)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2014-10-16 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eJoin us to learn about the recently completed GRAMMY Foundation Grant project to digitize and preserve 52 hours from mostly fragile glass-based lacquer coated discs documenting 36 unique live radio broadcasts from 1932 to 1948. We will discuss the project challenges and successes, talk about the significance of these broadcasts, and listen to excerpts from this newly accessible cache of recordings not heard since their original transmissions over the CBS network six to eight decades ago. The discs, which hold the only surviving audio records of these particular concerts, were carefully conserved, digitized and restored by Seth B. Winner Studios. After remaining untouched in the Archives for 20 years, these recordings are now available to the public at the Philharmonic Archives and at the New York Public Library for Performing Arts. A number of the recordings preserved as part of this project came from Seth B. Winner’s own personal collection. Some of the recorded highlights include the only prime sounding source of Bronislaw Huberman performing the Brahms Violin Concerto on January 23, 1944, a piece that he had performed as a 10-year old prodigy in the presence of the composer in 1892; the N.Y. Philharmonic Broadcast debut of William Kapell performing Rachmaninoff’s Second Piano Concerto on June 18, 1944 with Fritz Reiner conducting; the only known complete source of Vladimir Horowitz performing Rachmaninoff’s Third Piano Concerto on April 23, 1944, with Artur Rodzinski conducting and Isaac Stern’s first performance with the Philharmonic on August 6, 1944, the Sibelius Violin Concerto with Dmitri Mitropoulos conducting. Also included are several performances featuring Arturo Toscanini, Bruno Walter, and Issay Dobrowen from 1932-34; these audio artifacts are among the earliest surviving broadcasts in the archives. Hosts for this meeting will be Barbara Haws, Archivist of the N.Y. Philharmonic, and Mitchell Brodsky, its Digital Archives Manager, and will be held at the Philharmonic archives, NOT at our usual location at CCNY.\u003c/p\u003e\r\n\u003cp\u003eSeth B. Winner has been the president of Seth B. Winner Sound Studios and its only employee since April 1990. His clients include SONY, BMG, The New York Philharmonic, The Metropolitan Opera \u0026amp; Guild, The Minnesota Orchestra, Pavilion Records, The Warner Brothers Vitaphone Project, and many independent labels. His work has garnered an Honorable Mention and three nominations from NARAS/Grammy Foundation. Institutional clients have included preservation and studio setups for the Marr Sound Archives, UMKC, The Thomas Edison National Historical Park, and Harvard University. He was one of two engineers who preserved the holdings of the Benny Goodman \u0026amp; Benny Carter Collections housed at the Institute of Jazz Studies, Rutgers University. Since 1987, Mr. Winner has been a sound preservation engineer at the New York Public Library, and has preserved numerous collections. He originally unpacked, sorted, and preserved on magnetic tape, the Toscanini collection (also known as the Toscanini Legacy) when the family donated it in 1986.\u003c/p\u003e"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}}],"summary":{"en":["\u003cp\u003eJoin us to learn about the recently completed GRAMMY Foundation Grant project to digitize and preserve 52 hours from mostly fragile glass-based lacquer coated discs documenting 36 unique live radio broadcasts from 1932 to 1948. We will discuss the project challenges and successes, talk about the significance of these broadcasts, and listen to excerpts from this newly accessible cache of recordings not heard since their original transmissions over the CBS network six to eight decades ago. The discs, which hold the only surviving audio records of these particular concerts, were carefully conserved, digitized and restored by Seth B. Winner Studios. After remaining untouched in the Archives for 20 years, these recordings are now available to the public at the Philharmonic Archives and at the New York Public Library for Performing Arts. A number of the recordings preserved as part of this project came from Seth B. Winner\u0026rsquo;s own personal collection. Some of the recorded highlights include the only prime sounding source of Bronislaw Huberman performing the Brahms Violin Concerto on January 23, 1944, a piece that he had performed as a 10-year old prodigy in the presence of the composer in 1892; the N.Y. Philharmonic Broadcast debut of William Kapell performing Rachmaninoff\u0026rsquo;s Second Piano Concerto on June 18, 1944 with Fritz Reiner conducting; the only known complete source of Vladimir Horowitz performing Rachmaninoff\u0026rsquo;s Third Piano Concerto on April 23, 1944, with Artur Rodzinski conducting and Isaac Stern\u0026rsquo;s first performance with the Philharmonic on August 6, 1944, the Sibelius Violin Concerto with Dmitri Mitropoulos conducting. Also included are several performances featuring Arturo Toscanini, Bruno Walter, and Issay Dobrowen from 1932-34; these audio artifacts are among the earliest surviving broadcasts in the archives. Hosts for this meeting will be Barbara Haws, Archivist of the N.Y. Philharmonic, and Mitchell Brodsky, its Digital Archives Manager, and will be held at the Philharmonic archives, NOT at our usual location at CCNY.\u003c/p\u003e\r\n\u003cp\u003eSeth B. Winner has been the president of Seth B. Winner Sound Studios and its only employee since April 1990. His clients include SONY, BMG, The New York Philharmonic, The Metropolitan Opera \u0026amp; Guild, The Minnesota Orchestra, Pavilion Records, The Warner Brothers Vitaphone Project, and many independent labels. His work has garnered an Honorable Mention and three nominations from NARAS/Grammy Foundation. Institutional clients have included preservation and studio setups for the Marr Sound Archives, UMKC, The Thomas Edison National Historical Park, and Harvard University. He was one of two engineers who preserved the holdings of the Benny Goodman \u0026amp; Benny Carter Collections housed at the Institute of Jazz Studies, Rutgers University. Since 1987, Mr. Winner has been a sound preservation engineer at the New York Public Library, and has preserved numerous collections. He originally unpacked, sorted, and preserved on magnetic tape, the Toscanini collection (also known as the Toscanini Legacy) when the family donated it in 1986.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/262/139/small/ANEVENINGATTHENEWYORKPHILHARMONICARCHIVES.mp4_1738880092.jpg?1738880093","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2105/collection_resources/141379/file/262139","type":"Canvas","label":{"en":["Media File 1 of 1 - AN_EVENING_AT_THE_NEW_YORK_PHILHARMONIC_ARCHIVES.mp4"]},"duration":7022.0858,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/262/139/small/ANEVENINGATTHENEWYORKPHILHARMONICARCHIVES.mp4_1738880092.jpg?1738880093","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2105/collection_resources/141379/file/262139/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2105/collection_resources/141379/file/262139/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/262/139/original/AN_EVENING_AT_THE_NEW_YORK_PHILHARMONIC_ARCHIVES.mp4?1738880091","type":"Video","format":"video/mp4","duration":7022.0858,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2105/collection_resources/141379/file/262139","metadata":[]}]}],"annotations":[]}]}