{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/mk6542kx0r/manifest","type":"Manifest","label":{"en":["New Business Model for Archive-Industry Collaboration"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Peter McDonald (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2006-05-19 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["This presentation will offer a business model for collaboration between analog collection holders and the music industry. It will posit that the issue, perhaps, isn't so much copyright clearance, but rather a business model that the industry will understand. With this business model “we” (the archives) will build an inter-linked digital repository of our analog recordings, funded by foundations? donors? government? etc., that will provide open access for educational domains through streaming-like technology, while providing a commercial front end of the same repository, managed by industry jointly with the archive world, where historical recordings can be purchased by the public \"buck a song\" in MP3-like formats. Since industry still makes money in this business model on \"their\" stuff, the stumbling block of copyright is partly, if not mostly, circumvented. Further, the industry gains three heretofore unrealized revenue streams: a) money from public online purchases; b) likelihood that as this music becomes more widely accessible in digital format, recording artists will hear it and re-record with royalties paid; c) and finally, the industry can track purchase patterns, then create saleable compilations for re-sale via CDs and/or other emerging pre-packaged options of what people really want. Meanwhile, the domain-restricted dot.edu \"side\" provides pedagogic, research and preservation access to our collections. Technological safeguards can prevent illegal file-sharing from this educational access point. The archives meanwhile can (via 501(c)3 consortia?) get \"a penny on each dollar\" for repository growth and maintenance as the commercial side makes its money. In theory everybody wins."]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}}],"summary":{"en":["This presentation will offer a business model for collaboration between analog collection holders and the music industry. It will posit that the issue, perhaps, isn't so much copyright clearance, but rather a business model that the industry will understand. With this business model “we” (the archives) will build an inter-linked digital repository of our analog recordings, funded by foundations? donors? government? etc., that will provide open access for educational domains through streaming-like technology, while providing a commercial front end of the same repository, managed by industry jointly with the archive world, where historical recordings can be purchased by the public \"buck a song\" in MP3-like formats. Since industry still makes money in this business model on \"their\" stuff, the stumbling block of copyright is partly, if not mostly, circumvented. Further, the industry gains three heretofore unrealized revenue streams: a) money from public online purchases; b) likelihood that as this music becomes more widely accessible in digital format, recording artists will hear it and re-record with royalties paid; c) and finally, the industry can track purchase patterns, then create saleable compilations for re-sale via CDs and/or other emerging pre-packaged options of what people really want. Meanwhile, the domain-restricted dot.edu \"side\" provides pedagogic, research and preservation access to our collections. Technological safeguards can prevent illegal file-sharing from this educational access point. The archives meanwhile can (via 501(c)3 consortia?) get \"a penny on each dollar\" for repository growth and maintenance as the commercial side makes its money. In theory everybody wins."]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2674/collection_resources/125779/file/233292","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2006_McDonald_audio.mp3"]},"duration":2888.4898,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2674/collection_resources/125779/file/233292/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2674/collection_resources/125779/file/233292/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/233/292/original/ARSC_conf_2006_McDonald_audio.mp3?1709981551","type":"Audio","format":"audio/mpeg","duration":2888.4898,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2674/collection_resources/125779/file/233292","metadata":[]}]}],"annotations":[]}]}