{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/n00zp3xm49/manifest","type":"Manifest","label":{"en":["Reproducing Cylinder Recordings: An Examination of Differences between Acoustic and Electronic Methodology"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Lance Christensen (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2009-05-29 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eCylinder recordings can be reproduced by many means: using the original equipment, and recording with a modern microphone by inserting a microphone into the throat of the original reproducer, and by playing the cylinder with an electronic stylus or reproducer. Each provides a different reproduction, a different sound and a different vision of how the sound was perhaps meant to be reproduced. Is this reproduction a recreation of the original sound or one that is one created by modern technology and not part of what was originally intended? The cylinder of wax, celluloid and extended variety can by reproduced on a machine well-tuned with a concert horn, or with a professional microphone inserted in the reproducer, or by electronic reproduction means. All are different, giving a different sound. This presentation shows how the sound of the original cylinder was recorded with purpose, how it can be recreated by using the original instrument as a performing machine, and how the microphones and electronic reproducers of the 21st Century can make recordings of 100 years ago come alive again. A comparison of the reproductive processes and spectrographic analysis will show how these differ, and how they can alter our interpretation of these antique recordings.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eCylinder recordings can be reproduced by many means: using the original equipment, and recording with a modern microphone by inserting a microphone into the throat of the original reproducer, and by playing the cylinder with an electronic stylus or reproducer. Each provides a different reproduction, a different sound and a different vision of how the sound was perhaps meant to be reproduced. Is this reproduction a recreation of the original sound or one that is one created by modern technology and not part of what was originally intended? The cylinder of wax, celluloid and extended variety can by reproduced on a machine well-tuned with a concert horn, or with a professional microphone inserted in the reproducer, or by electronic reproduction means. All are different, giving a different sound. This presentation shows how the sound of the original cylinder was recorded with purpose, how it can be recreated by using the original instrument as a performing machine, and how the microphones and electronic reproducers of the 21st Century can make recordings of 100 years ago come alive again. A comparison of the reproductive processes and spectrographic analysis will show how these differ, and how they can alter our interpretation of these antique recordings.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128437/file/240034","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2009_Christensen_audio.mp3"]},"duration":1800.91575,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128437/file/240034/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128437/file/240034/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/240/034/original/ARSC_conf_2009_Christensen_audio.mp3?1714691304","type":"Audio","format":"audio/mpeg","duration":1800.91575,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2671/collection_resources/128437/file/240034","metadata":[]}]}],"annotations":[]}]}