{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/nk3610wb5q/manifest","type":"Manifest","label":{"en":["Records of Resistance: Listening to the Anti-Vietnam War GI Movement through the Paredon Record Label"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Jennie Williams (Presenter)","Tim Brooks (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2016-05-12 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eThis paper focuses on two albums of songs protesting the Vietnam War, recorded and released in the late 1960s and early 1970s. Part of a larger series of albums related to “people’s movements all over the world,” Paredon Records propagated Vietnam War protest music in the albums: FTA! Songs of the GI Resistance (1970), sung by Barbara Dane with active-duty GIs at GI coffeehouses across the US, and We Say No To Your War! (1972), recorded by the Covered Wagon Musicians of the Mountain Home Air Force Base in Idaho. The extensive liner notes intended to raise listeners’ awareness and encourage them to join in the movement. I argue these records served to educate listeners and helped solidify groups within the GI Movement at the time. Moreover, this collection, housed in the Folkways Archive of the Smithsonian Institution, remains an important multimedia resource for understanding and teaching about the period today. My paper analyzes the songs and their interpretations, photographs, musicians’ biographies, and GI accounts of their struggles contained in the liner notes to examine the ways in which listeners were urged to join the movement. Such collections served as alternative educational resources intended to disseminate and reinforce a set of social-political beliefs to unify listeners in a common cause. The collection documents the sounds and experiences of anti-war activists and shows how a community of war resistors effectively united to protest the US military involvement in Vietnam.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis"]}}],"summary":{"en":["\u003cp\u003eThis paper focuses on two albums of songs protesting the Vietnam War, recorded and released in the late 1960s and early 1970s. Part of a larger series of albums related to \u0026ldquo;people\u0026rsquo;s movements all over the world,\u0026rdquo; Paredon Records propagated Vietnam War protest music in the albums: FTA! Songs of the GI Resistance (1970), sung by Barbara Dane with active-duty GIs at GI coffeehouses across the US, and We Say No To Your War! (1972), recorded by the Covered Wagon Musicians of the Mountain Home Air Force Base in Idaho. The extensive liner notes intended to raise listeners\u0026rsquo; awareness and encourage them to join in the movement. I argue these records served to educate listeners and helped solidify groups within the GI Movement at the time. Moreover, this collection, housed in the Folkways Archive of the Smithsonian Institution, remains an important multimedia resource for understanding and teaching about the period today. My paper analyzes the songs and their interpretations, photographs, musicians\u0026rsquo; biographies, and GI accounts of their struggles contained in the liner notes to examine the ways in which listeners were urged to join the movement. Such collections served as alternative educational resources intended to disseminate and reinforce a set of social-political beliefs to unify listeners in a common cause. The collection documents the sounds and experiences of anti-war activists and shows how a community of war resistors effectively united to protest the US military involvement in Vietnam.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/743/small/open-uri20200922-6764-d5rqvj_1600820042.jpg?1600805656","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29822/file/97743","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-d5rqvj.mp4"]},"duration":1077.184,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/743/small/open-uri20200922-6764-d5rqvj_1600820042.jpg?1600805656","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29822/file/97743/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29822/file/97743/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/743/original/open-uri20200922-6764-d5rqvj.mp4?1600805640","type":"Video","format":"video/mp4","duration":1077.184,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29822/file/97743","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29822/file/255807","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2016_Williams_audio.mp3"]},"duration":969.22925,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29822/file/255807/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29822/file/255807/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/807/original/ARSC_conf_2016_Williams_audio.mp3?1730756719","type":"Audio","format":"audio/mpeg","duration":969.22925,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29822/file/255807","metadata":[]}]}],"annotations":[]}]}