{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/qn5z60dq04/manifest","type":"Manifest","label":{"en":["Artur Rodzinski: A Re-evaluation of his Career and Discography on the 50th Anniversary of his Death"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Dennis D. Rooney (Presenter)"]}},{"label":{"en":["Date"]},"value":{"en":["2008-03-28 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eNovember marks a half century since the death of the Polish conductor Artur Rodzinski (1892-1958), one of several Eastern European conductors who settled in the United States during the 1920s. After serving as Leopold Stokowski's assistant in Philadelphia, Rodzinski became conductor of the Los Angeles Philharmonic in 1929, then went to the Cleveland Orchestra in 1933. Innovative programming, outstanding performances and his transformation of the Cleveland into one of America's leading orchestras established Rodzinski's reputation as both a peerless orchestra builder and interpreter. In 1937, Arturo Toscanini invited him to assist in forming the nascent NBC Symphony. In 1942, Rodzinski became music director of the New York Philharmonic. In 1947, he was pictured on the cover of Time magazine, then an unusual choice for that publication. His move to the Chicago Symphony in 1948 was a notable failure that essentially ended his conducting career in the U. S., after which he was chiefly active in Europe. However, he had returned to conduct Tristan und Isolde at the Chicago Civic Opera when he suffered a fatal heart attack. Rodzinski is considered one of the last century's great conductors, but his difficult personality and the premature end to his American career have caused his name to fade in recent decades. Fortunately, Rodzinski left a lengthy and valuable series of recordings, both commercial and non- commercial, made between 1926 and the final year of his life. Selections will be featured, augmented by comments by his son, Richard, and musicians who worked with him.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eNovember marks a half century since the death of the Polish conductor Artur Rodzinski (1892-1958), one of several Eastern European conductors who settled in the United States during the 1920s. After serving as Leopold Stokowski's assistant in Philadelphia, Rodzinski became conductor of the Los Angeles Philharmonic in 1929, then went to the Cleveland Orchestra in 1933. Innovative programming, outstanding performances and his transformation of the Cleveland into one of America's leading orchestras established Rodzinski's reputation as both a peerless orchestra builder and interpreter. In 1937, Arturo Toscanini invited him to assist in forming the nascent NBC Symphony. In 1942, Rodzinski became music director of the New York Philharmonic. In 1947, he was pictured on the cover of Time magazine, then an unusual choice for that publication. His move to the Chicago Symphony in 1948 was a notable failure that essentially ended his conducting career in the U. S., after which he was chiefly active in Europe. However, he had returned to conduct Tristan und Isolde at the Chicago Civic Opera when he suffered a fatal heart attack. Rodzinski is considered one of the last century's great conductors, but his difficult personality and the premature end to his American career have caused his name to fade in recent decades. Fortunately, Rodzinski left a lengthy and valuable series of recordings, both commercial and non- commercial, made between 1926 and the final year of his life. Selections will be featured, augmented by comments by his son, Richard, and musicians who worked with him.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128647/file/240151","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20240504-2220384-oru6sk.mpga"]},"duration":2222.50594,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128647/file/240151/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128647/file/240151/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/240/151/original/open-uri20240504-2220384-oru6sk.mpga?1714790565","type":"Audio","format":"audio/mpeg","duration":2222.50594,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2672/collection_resources/128647/file/240151","metadata":[]}]}],"annotations":[]}]}