{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/rf5k931z6h/manifest","type":"Manifest","label":{"en":["Western Swing and the Examination of an Information Object: A Research Model"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Madeline Dietrich (Presenter)","Cary Ginell (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2015-05-30 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eWhat exactly can we learn about a given information object, specifically, a physical 78 rpm record? This two-part presentation examines Side B of Decca 5158,Who s Sorry Now?by Milton Brown and his Musical Brownies (1935). We begin with Part I with a visual examination of the object, gathering information from the record label, exploring discographies, defining terms, researching contributors, etc. What did this information mean to consumers at the time; how did it sell records? What does the information mean to music catalogers today? What considerations are important in terms of RDA, FRBR/WEMI, and even BIBFRAME? In Part II, we consider the audio content. What significance did it hold for listeners? Who was the target audience? How does what we hear measure up to the information on the label? What can we learn about performance practice and even the predilections of individual musicians? As an example of what would later be termedWestern swing,how does it compare to other popular music forms of the time? Is it jazz? Is it country? We can facilitate answering these questions through transcription, allowing musical information to be separated from its temporal context, making comparison with other musical forms easier. But how to transcribe? How to notate? How much information is enough? How much is too much? And most importantly, of what utility is such a transcription to music scholars and musicians today?\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eWhat exactly can we learn about a given information object, specifically, a physical 78 rpm record? This two-part presentation examines Side B of Decca 5158,Who s Sorry Now?by Milton Brown and his Musical Brownies (1935). We begin with Part I with a visual examination of the object, gathering information from the record label, exploring discographies, defining terms, researching contributors, etc. What did this information mean to consumers at the time; how did it sell records? What does the information mean to music catalogers today? What considerations are important in terms of RDA, FRBR/WEMI, and even BIBFRAME? In Part II, we consider the audio content. What significance did it hold for listeners? Who was the target audience? How does what we hear measure up to the information on the label? What can we learn about performance practice and even the predilections of individual musicians? As an example of what would later be termedWestern swing,how does it compare to other popular music forms of the time? Is it jazz? Is it country? We can facilitate answering these questions through transcription, allowing musical information to be separated from its temporal context, making comparison with other musical forms easier. But how to transcribe? How to notate? How much information is enough? How much is too much? And most importantly, of what utility is such a transcription to music scholars and musicians today?\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/681/small/ARSC_conf_2015_Dietrich_video_thmb.jpg?1675378513","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/121681","type":"Canvas","label":{"en":["Media File 1 of 3 - open-uri20210821-32762-enixim.mp4"]},"duration":856.40533,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/121/681/small/ARSC_conf_2015_Dietrich_video_thmb.jpg?1675378513","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/121681/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/121681/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/121/681/original/open-uri20210821-32762-enixim.mp4?1629578091","type":"Video","format":"video/mp4","duration":856.40533,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/121681","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/255612","type":"Canvas","label":{"en":["Media File 2 of 3 - ARSC_conf_2015_Dietrich_audio.mp3"]},"duration":2079.28447,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/255612/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/255612/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/612/original/ARSC_conf_2015_Dietrich_audio.mp3?1730736851","type":"Audio","format":"audio/mpeg","duration":2079.28447,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/255612","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/255613","type":"Canvas","label":{"en":["Media File 3 of 3 - ARSC_conf_2015_Dietrich_QA_audio.mp3"]},"duration":1057.66197,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/255613/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/255613/content/3/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/613/original/ARSC_conf_2015_Dietrich_QA_audio.mp3?1730736900","type":"Audio","format":"audio/mpeg","duration":1057.66197,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1505/collection_resources/48655/file/255613","metadata":[]}]}],"annotations":[]}]}