{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/rv0cv4ck23/manifest","type":"Manifest","label":{"en":["Glenn Branca and Josh Baer's Neutral: Noise Rock Finds a Home"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Greg MacAyeal (Presenter)","Roberta Freund Schwartz (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2021-05-13 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eBy the time Brian Eno's No New York was released in 1978 (Antilles/Island), the No Wave music and art scene in New York City had nearly climaxed. From the scene, a number of small independent record labels emerged in the early 80's, many fronted by the musicians and scenesters themselves. Glenn Branca and Josh Baer's Neutral label was one which produced early records by bands which would go on to enjoy considerable notoriety and fame including Sonic Youth and Swans. This paper documents the establishment of Neutral (aka Neutral Records) and presents an argument for the importance of this label as a major producer of post-rock music. Post-rock from the early 80s is increasingly recognized as an important genre and understood to be highly influential on current artists. Releases by Neutral are seminal, presently under researched and little known. This paper will provide a discography, history, and demonstrate the lasting impact of the short lived Branca/Baer collaboration. Additional consideration will be given to other No Wave and Post-Rock labels operating concurrently with Neutral including 99, ZE and Celluloid.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eBy the time Brian Eno's No New York was released in 1978 (Antilles/Island), the No Wave music and art scene in New York City had nearly climaxed. From the scene, a number of small independent record labels emerged in the early 80's, many fronted by the musicians and scenesters themselves. Glenn Branca and Josh Baer's Neutral label was one which produced early records by bands which would go on to enjoy considerable notoriety and fame including Sonic Youth and Swans. This paper documents the establishment of Neutral (aka Neutral Records) and presents an argument for the importance of this label as a major producer of post-rock music. Post-rock from the early 80s is increasingly recognized as an important genre and understood to be highly influential on current artists. Releases by Neutral are seminal, presently under researched and little known. This paper will provide a discography, history, and demonstrate the lasting impact of the short lived Branca/Baer collaboration. Additional consideration will be given to other No Wave and Post-Rock labels operating concurrently with Neutral including 99, ZE and Celluloid.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/119/277/small/ARSC_conf_2021_MacAyeal_video_thmb.jpg?1675452804","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46216/file/119277","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2021_MacAyeal_video.mp4"]},"duration":1820.24533,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/119/277/small/ARSC_conf_2021_MacAyeal_video_thmb.jpg?1675452804","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46216/file/119277/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46216/file/119277/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/119/277/original/ARSC_conf_2021_MacAyeal_video.mp4?1626106287","type":"Video","format":"video/mp4","duration":1820.24533,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1510/collection_resources/46216/file/119277","metadata":[]}]}],"annotations":[]}]}