{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/rx93777c4k/manifest","type":"Manifest","label":{"en":["Stay a Little Longer: Preserving 45 Years of Austin City Limits Audio Recordings"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Matt Leatherman (Presenter)","Jacqueline Legere (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2023-05-19 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eOn October 16, 1974, Austin City Limits held its first taping in Studio 6A on the University of Texas campus. Still in production today, the show has become the longest running music series in television history, showcasing music and culture from performers worldwide. The PBS show also serves as an exceptional (and in some cases the only) audiovisual record of regional Texas country, blues and swing music during the 1970s and 80s. Austin PBS, producer of the awardwinning series, recently completed digitization of the edited master and raw footage videotapes. In April 2019, the preservation effort began for the multitrack and edited-master audio material. This multi-year audio digitization project includes 542 live music performances, consisting of over 1,400 two-inch, multitrack performance masters, nearly 200 half-inch broadcast audio masters and several hundred DTRS \u0026amp; DAT master recordings. A 1:1 digitization workflow of every recording is being performed by a dedicated audio engineer who also handles machine maintenance, media issues and metadata enrichment for the collection. The presentation will include the technical history of the show, digitization milestones and explore some of the challenges faced when working with professional and large-format audio tape collections.\u003c/p\u003e"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eOn October 16, 1974, Austin City Limits held its first taping in Studio 6A on the University of Texas campus. Still in production today, the show has become the longest running music series in television history, showcasing music and culture from performers worldwide. The PBS show also serves as an exceptional (and in some cases the only) audiovisual record of regional Texas country, blues and swing music during the 1970s and 80s. Austin PBS, producer of the awardwinning series, recently completed digitization of the edited master and raw footage videotapes. In April 2019, the preservation effort began for the multitrack and edited-master audio material. This multi-year audio digitization project includes 542 live music performances, consisting of over 1,400 two-inch, multitrack performance masters, nearly 200 half-inch broadcast audio masters and several hundred DTRS \u0026amp; DAT master recordings. A 1:1 digitization workflow of every recording is being performed by a dedicated audio engineer who also handles machine maintenance, media issues and metadata enrichment for the collection. The presentation will include the technical history of the show, digitization milestones and explore some of the challenges faced when working with professional and large-format audio tape collections.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2399/collection_resources/107576/file/209961","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2023_Leatherman_audio.mp3"]},"duration":2073.26041,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2399/collection_resources/107576/file/209961/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2399/collection_resources/107576/file/209961/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/209/961/original/ARSC_conf_2023_Leatherman_audio.mp3?1697643761","type":"Audio","format":"audio/mpeg","duration":2073.26041,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2399/collection_resources/107576/file/209961","metadata":[]}]}],"annotations":[]}]}