{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/t14th8d28s/manifest","type":"Manifest","label":{"en":["Sarangi Players on Gramophone Discs"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Suresh Chandvankar (Presenter)","Aaron Bittel (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2023-05-18 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eThe sarangi (also called saurangi) is a bowed stringed instrument with a skin-covered resonator.The typical sarangi is made by hand, usually from a single block of wood. The four playing strings on this instrument are made of goat gut, and the seventeen sympathetic strings are made of steel. Sarangi is played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music in Pakistan, India, and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as gamaks (shakes) and meends (sliding movements). Traditionally, sarangi was used mainly as an accompanying instrument and could be heard with the songs on early gramophone discs from 1902. Very few solo recordings of sarangi were cut on shellac discs until about 1950. In modern times, solo sarangi playing is popularized by Pt. Ram Narayan \u0026amp; Ustad Sultan Khan. They have produced a large number of recordings on vinyl, cassettes and CDs. In this presentation, I want to take a brief survey of what is recorded on the gramophone discs, what is left today, and discuss why we should preserve them. The presentation will be supported by audio/video clips and visuals.\u003c/p\u003e"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eThe sarangi (also called saurangi) is a bowed stringed instrument with a skin-covered resonator.The typical sarangi is made by hand, usually from a single block of wood. The four playing strings on this instrument are made of goat gut, and the seventeen sympathetic strings are made of steel. Sarangi is played in traditional music from South Asia \u0026ndash; Punjabi folk music, Rajasthani folk music, and Boro folk music in Pakistan, India, and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as gamaks (shakes) and meends (sliding movements). Traditionally, sarangi was used mainly as an accompanying instrument and could be heard with the songs on early gramophone discs from 1902. Very few solo recordings of sarangi were cut on shellac discs until about 1950. In modern times, solo sarangi playing is popularized by Pt. Ram Narayan \u0026amp; Ustad Sultan Khan. They have produced a large number of recordings on vinyl, cassettes and CDs. In this presentation, I want to take a brief survey of what is recorded on the gramophone discs, what is left today, and discuss why we should preserve them. The presentation will be supported by audio/video clips and visuals.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/209/907/small/ARSC_conf_2023_Chandvankar_video.mp4_1697306859.jpg?1697306860","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2399/collection_resources/107564/file/209907","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2023_Chandvankar_video.mp4"]},"duration":1696.08186,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/209/907/small/ARSC_conf_2023_Chandvankar_video.mp4_1697306859.jpg?1697306860","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2399/collection_resources/107564/file/209907/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2399/collection_resources/107564/file/209907/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/209/907/original/ARSC_conf_2023_Chandvankar_video.mp4?1697306856","type":"Video","format":"video/mp4","duration":1696.08186,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2399/collection_resources/107564/file/209907","metadata":[]}]}],"annotations":[]}]}