{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/tt4fn11g36/manifest","type":"Manifest","label":{"en":["The Music of Leo Kottke: Mining the Archives to Develop Pedagogical Materials"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["John Stropes (Presenter)","Benjamin Kammin (Presenter)","Josh Lane (Presenter)","David N. Lewis (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2016-05-13 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eThe music which is today referred to as finger-style guitar has its roots in parlor style guitar of the 1800s, Delta blues, the ragtime influenced country blues of the eastern seaboard, Hawaiian lap style and slack key guitar, country guitar, and folk music. In the 1960s, aspects of all of these traditions were in motion, and finger-style guitar began its transition from a vernacular to an art music. Integral to this transition was composer/performer Leo Kottke. Kottke’s career began in the late 1960s and continues to this day. He plays approximately 80 concerts per year, and has released 30 recordings which are made up of 200 original compositions and 75 covers. Our collection of material consists of 300 hours of concert audio and video along with set lists and concert ephemera; 100 hours of interviews and documentation video; recordings of television and radio appearances; all commercial audio and video; print articles, previews, and reviews; analyses and transcriptions derived from this collection; and other items. The archives present us with the opportunity to reconfigure concepts, substantive foci, and methodologies of ethnomusicology and to develop new pedagogical approaches. By including scholarship derived from the collection, information organization and retrieval systems may be used to illuminate the genesis and evolution of each composition. An analysis of Kottke’s compositions which were released originally in 1969 on his seminal recording Leo Kottke 6- and 12-String Guitar will demonstrate the utility of these approaches in the development of pedagogical materials.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis"]}}],"summary":{"en":["\u003cp\u003eThe music which is today referred to as finger-style guitar has its roots in parlor style guitar of the 1800s, Delta blues, the ragtime influenced country blues of the eastern seaboard, Hawaiian lap style and slack key guitar, country guitar, and folk music. In the 1960s, aspects of all of these traditions were in motion, and finger-style guitar began its transition from a vernacular to an art music. Integral to this transition was composer/performer Leo Kottke. Kottke\u0026rsquo;s career began in the late 1960s and continues to this day. He plays approximately 80 concerts per year, and has released 30 recordings which are made up of 200 original compositions and 75 covers. Our collection of material consists of 300 hours of concert audio and video along with set lists and concert ephemera; 100 hours of interviews and documentation video; recordings of television and radio appearances; all commercial audio and video; print articles, previews, and reviews; analyses and transcriptions derived from this collection; and other items. The archives present us with the opportunity to reconfigure concepts, substantive foci, and methodologies of ethnomusicology and to develop new pedagogical approaches. By including scholarship derived from the collection, information organization and retrieval systems may be used to illuminate the genesis and evolution of each composition. An analysis of Kottke\u0026rsquo;s compositions which were released originally in 1969 on his seminal recording Leo Kottke 6- and 12-String Guitar will demonstrate the utility of these approaches in the development of pedagogical materials.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/644/small/open-uri20200922-6764-1a6yx14_1600817900.jpg?1600803533","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29753/file/97644","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20200922-6764-1a6yx14.mp4"]},"duration":1738.688,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/097/644/small/open-uri20200922-6764-1a6yx14_1600817900.jpg?1600803533","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29753/file/97644/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29753/file/97644/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/097/644/original/open-uri20200922-6764-1a6yx14.mp4?1600803484","type":"Video","format":"video/mp4","duration":1738.688,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29753/file/97644","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29753/file/255773","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2016_Kammin_Lane_Stropes_audio.mp3"]},"duration":1715.93944,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29753/file/255773/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29753/file/255773/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/773/original/ARSC_conf_2016_Kammin_Lane_Stropes_audio.mp3?1730752904","type":"Audio","format":"audio/mpeg","duration":1715.93944,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1145/collection_resources/29753/file/255773","metadata":[]}]}],"annotations":[]}]}