{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/w37kp7vc8m/manifest","type":"Manifest","label":{"en":["Digital Phase Correctors and Sterephonic Recordings: To Phase Correct or Not to Phase Correct: That is the Question!"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Gary A. Galo (Presenter)","Dave Cawley (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2017-05-12 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003ePhase correction software is included with many digital audio editing and restoration programs. Stereo playback of monaural source material, both disc and tape, has multiple advantages, and phase correction software can be extremely useful for aligning the two channels prior to summing them to mono. Engineers who have specialized in transfer and restoration of pre-stereo material can easily misinterpret the Lissajous patterns produced by stereophonic recordings as a defect requiring correction. This paper will examine the basics of stereophonic recording, the phase relationship of the two stereo channels created by common microphone techniques, and the need to exercise proper judgement before “fixing” something that may not be broken.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Amanda McCabe (Video Editor)"]}}],"summary":{"en":["\u003cp\u003ePhase correction software is included with many digital audio editing and restoration programs. Stereo playback of monaural source material, both disc and tape, has multiple advantages, and phase correction software can be extremely useful for aligning the two channels prior to summing them to mono. Engineers who have specialized in transfer and restoration of pre-stereo material can easily misinterpret the Lissajous patterns produced by stereophonic recordings as a defect requiring correction. This paper will examine the basics of stereophonic recording, the phase relationship of the two stereo channels created by common microphone techniques, and the need to exercise proper judgement before \u0026ldquo;fixing\u0026rdquo; something that may not be broken.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/098/349/small/open-uri20201007-791-1ukbfw8_1602113885.jpg?1602099497","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/30366/file/98349","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20201007-791-1ukbfw8.mp4"]},"duration":1761.81333,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/098/349/small/open-uri20201007-791-1ukbfw8_1602113885.jpg?1602099497","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/30366/file/98349/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/30366/file/98349/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/098/349/original/open-uri20201007-791-1ukbfw8.mp4?1602099482","type":"Video","format":"video/mp4","duration":1761.81333,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/30366/file/98349","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/30366/file/255845","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2017_Galo_audio.mp3"]},"duration":1736.89119,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/30366/file/255845/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/30366/file/255845/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/845/original/ARSC_conf_2017_Galo_audio.mp3?1730762593","type":"Audio","format":"audio/mpeg","duration":1736.89119,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1144/collection_resources/30366/file/255845","metadata":[]}]}],"annotations":[]}]}