{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/w66930qq9b/manifest","type":"Manifest","label":{"en":["Rediscovering George W. Johnson, The First African American Recording \"Star\""]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Tim Brooks (Presenter)","Les Waffen (Chair)"]}},{"label":{"en":["Date"]},"value":{"en":["2004-03-12 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Audio"]}},{"label":{"en":["Description"]},"value":{"en":["As the first black performer to gain fame through the phonograph, and the only prominent black in the virtually all-white record industry of the 1890s, George W. Johnson holds a special fascination for collectors and researchers. This presentation offers new research on him, including the story of his 1899 trial for murder. Johnson's career, the repertoire he recorded, and the manner in which it was marketed paint a picture of black-white interaction at the dawn of recording. His success laid the groundwork for later black artists, as detailed in my book Lost Sounds: Blacks and the Birth of the Recording Industry."]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}}],"summary":{"en":["As the first black performer to gain fame through the phonograph, and the only prominent black in the virtually all-white record industry of the 1890s, George W. Johnson holds a special fascination for collectors and researchers. This presentation offers new research on him, including the story of his 1899 trial for murder. Johnson's career, the repertoire he recorded, and the manner in which it was marketed paint a picture of black-white interaction at the dawn of recording. His success laid the groundwork for later black artists, as detailed in my book Lost Sounds: Blacks and the Birth of the Recording Industry."]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["Copyright Association for Recorded Sound Collections"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2726/collection_resources/125521/file/231873","type":"Canvas","label":{"en":["Media File 1 of 1 - ARSC_conf_2004_Brooks_audio.mp3"]},"duration":2339.0302,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/2726/collection_resources/125521/file/231873/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/2726/collection_resources/125521/file/231873/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/231/873/original/ARSC_conf_2004_Brooks_audio.mp3?1709385817","type":"Audio","format":"audio/mpeg","duration":2339.0302,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/2726/collection_resources/125521/file/231873","metadata":[]}]}],"annotations":[]}]}