{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://arsc.aviaryplatform.com/iiif/zg6g15vh8b/manifest","type":"Manifest","label":{"en":["Providing Access to the Bascom Lamar Lunsford Collection at Columbia University"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","metadata":[{"label":{"en":["Agent"]},"value":{"en":["Emily Clark (Presenter)","Jennie Halperin (Presenter)","Aaron Bittel (Chair)","Michael Biel (Videographer)","Leah Biel (Videographer)"]}},{"label":{"en":["Date"]},"value":{"en":["2011-05-12 (Created)"]}},{"label":{"en":["Format"]},"value":{"en":["Video","Audio"]}},{"label":{"en":["Description"]},"value":{"en":["\u003cp\u003eIn 1935, Appalachian musician and insider ethnomusicologist Bascom Lamar Lunsford recorded 315 North Carolina folk songs on aluminum discs at Columbia University, a \"memory collection\" of songs gathered over decades of interaction and collaboration with other Appalachian musicians. Decades later, this invaluable collection will finally be accessible to the public, available for free download in an interactive online exhibit. Issues of ownership and funding arise at the very first step of redigitizing the discs, as the sole known copy is no longer housed at Columbia. In designing the exhibit, we aim to utilize open source, interactive software to maintain and convey the values of the populist oral tradition that surrounds the songs—a tradition in which variants evolve to overtake the canonical, collaboration is widespread, and .expert. opinion is held no higher than that of the Everyman. The site is designed to encourage a view of the songs as elements of a living and still-evolving tradition--for example, by allowing users to upload their own versions of songs--rather than as artifacts to be preserved and analyzed in a static state. Through investigation of various open source software, issues of historical apology and repatriation, and the values and attitudes that have defined the Appalachian tradition from Lunsford's time to the present, we aim to determine the most suitable context for the meaningful public display of an invaluable song collection. Our research and result-ing exhibit can be used as guidelines for other archives developing small song collections into widely accessible cultural resources.\u003c/p\u003e"]}},{"label":{"en":["Language"]},"value":{"en":["English"]}},{"label":{"en":["Publisher"]},"value":{"en":["Association for Recorded Sound Collections"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},{"label":{"en":["Video Editor"]},"value":{"en":["Nathan Georgitis (Video Editor)"]}}],"summary":{"en":["\u003cp\u003eIn 1935, Appalachian musician and insider ethnomusicologist Bascom Lamar Lunsford recorded 315 North Carolina folk songs on aluminum discs at Columbia University, a \"memory collection\" of songs gathered over decades of interaction and collaboration with other Appalachian musicians. Decades later, this invaluable collection will finally be accessible to the public, available for free download in an interactive online exhibit. Issues of ownership and funding arise at the very first step of redigitizing the discs, as the sole known copy is no longer housed at Columbia. In designing the exhibit, we aim to utilize open source, interactive software to maintain and convey the values of the populist oral tradition that surrounds the songs\u0026mdash;a tradition in which variants evolve to overtake the canonical, collaboration is widespread, and .expert. opinion is held no higher than that of the Everyman. The site is designed to encourage a view of the songs as elements of a living and still-evolving tradition--for example, by allowing users to upload their own versions of songs--rather than as artifacts to be preserved and analyzed in a static state. Through investigation of various open source software, issues of historical apology and repatriation, and the values and attitudes that have defined the Appalachian tradition from Lunsford's time to the present, we aim to determine the most suitable context for the meaningful public display of an invaluable song collection. Our research and result-ing exhibit can be used as guidelines for other archives developing small song collections into widely accessible cultural resources.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eCopyright Association for Recorded Sound Collections\u003c/p\u003e"]}},"provider":[{"id":"https://arsc.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Association for Recorded Sound Collections"]},"homepage":[{"id":"https://arsc.aviaryplatform.com/","type":"Text","label":{"en":["Association for Recorded Sound Collections"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/019/original/ARSC_Full_Logo_RGB_K.jpg?1605438091","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/166/089/small/ARSC_conf_2011_Clark_video_thmb.jpg?1661546962","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78588/file/166089","type":"Canvas","label":{"en":["Media File 1 of 2 - ARSC_conf_2011_Clark_video.mp4"]},"duration":1636.352,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/166/089/small/ARSC_conf_2011_Clark_video_thmb.jpg?1661546962","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78588/file/166089/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78588/file/166089/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/166/089/original/ARSC_conf_2011_Clark_video.mp4?1661539280","type":"Video","format":"video/mp4","duration":1636.352,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78588/file/166089","metadata":[]}]}],"annotations":[]},{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78588/file/255031","type":"Canvas","label":{"en":["Media File 2 of 2 - ARSC_conf_2011_Clark_audio.mp3"]},"duration":1689.61381,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/public/images/audio-default.png","type":"Image","format":"image/png"}],"items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78588/file/255031/content/1","type":"AnnotationPage","items":[{"id":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78588/file/255031/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-arsc.s3.wasabisys.com/collection_resource_files/resource_files/000/255/031/original/ARSC_conf_2011_Clark_audio.mp3?1730304360","type":"Audio","format":"audio/mpeg","duration":1689.61381,"width":640,"height":360},"target":"https://arsc.aviaryplatform.com/collections/1509/collection_resources/78588/file/255031","metadata":[]}]}],"annotations":[]}]}